All Day and a Night is the directorial debut for Joe Robert Cole best known for co-writing the Marvel box office hit Black Panther. The film centers around a young man Jahkor (Moonlight’s Ashton Sanders) and his transition into adulthood growing up in Oakland. Jahkor was raised in an unstable household. His father James “JD” (played by Emmy winner Jeffrey Wright) was abusive and constantly in and out of jail for his drug and gang activity. He was now serving life in prison. As a young boy Jahkor even witnessed his father murder a young man in broad daylight. His mother Delanda (Kelly Jenrette) was verbally abused by JD repeatedly. She tried to protect young Jahkor from his father’s violent outbursts but was often unsuccessful.
From the beginning of his life, Jahkor seemed to be on an inevitable path of self-destruction which, ultimately, led him behind bars. Sanders does a great job bringing to life the raw emotions of a misguided, broken, and frustrated young man. Like in the car scene, for example, Jahkor’s breakdown reveals that everything he’s been carrying is wearing him down.
In one of the most outstanding scenes of the film Jahkor says, “slavery taught black people how to survive but not live. And that’s what we pass on to each other. My father taught me how to take my fucked-up life out on everyone else.” Cole uses a powerful choice of words to draw a connection between slavery and the survival mentality that was passed down to Jahkor, which is a generational curse. All his life, he did whatever he could to survive but was never taught how to live. Jahkor never got the chance to see the world beyond his Oakland neighborhood. He could not even make plans for the future.
As a result of his traumatic upbringing, Jahkor struggles with anger issues. The film opens with him violently killing a couple. By doing so, he falls into the fate he so desperately wanted to escape. Jahkor never wanted to follow his father’s footsteps. Like many young men in his neighborhood, he had dreams of becoming a rapper and making an honest living. Unfortunately, he was now repeating the cycle. We clearly see a parallel between JD and Jahkor – both struggling with anger, lacking communication skills, and operating in survival mode.
In need of fast cash, Jahkor turns to the neighborhood drug dealer Big Stunna (Watchmen’s Yahya Abdul-Mateen II) and agrees to eliminate one of his enemies, Malcolm (Stephen Barrington). The assignment is also personal for Jahkor – Malcolm sold drugs to his father and he resented him for it. And so he goes through with it (the murdered couple at the beginning of the film is Malcolm and his girlfriend) and lands in jail. Now in prison, Jahkor has time to reflect on his life and relationship with his father JD who is locked up in the same facility.
After they reunite, however, we rarely see a genuine connection between JD and Jahkor. It would have been great to see a breakthrough between the two at the end. Despite this, one thing is certain – JD has regrets about how his son’s life turned out. He wanted the best for Jakhor but did not know how to provide that.
Cole does a good job of telling a familiar story with an added spin – having the father and son in prison together. Showing them build a stronger bond in bondage, which is also a reflection of modern-day slavery. Sadly, the cycle is likely to be repeated. While in prison, Jahkor and his girlfriend Shantaye’s (Shakira Ja-nai Paye) son is born. Another young boy will grow up in an unstable home and an absent father.
All Day and a Night is a cautionary tale that is too often a reality for people who grow up in poverty and dysfunction. In one of the last scenes we see a flashback to younger JD, holding his infant son and saying, “Watch. He gon’ rise above all the bullshit we struggle with out here.” Then, Cole takes us to the final shot of adult Jahkor and his father, sitting together in the prison yard. Sadly, sometimes there is really no way of escaping a generational curse.