In a sea of talented faces on screen, Anthony E. Williams certainly stands out—and not only through his performances in popular shows like Law & Order, New Amsterdam, Power: Raising Kanan, The Equalizer, and Tyler Perry’s latest Netflix thriller, Straw. His determination and passion drive every action he takes. For those newly discovering the Ohio-born actor, as well as for his longtime fans, Williams is more than just a guest star; he is a storyteller with heart and vision, possessing the tenacity to bring both his own narrative and those of others to life.
From Strongsville to the Screen
“I’m from Strongsville, Ohio,” Williams shares, reflecting on his suburban upbringing. “Grew up out in the suburbs, soccer player.” But it was his early exposure to films that lit the first creative spark. “As a reward, my mom would enter a code in the cable box and let me watch HBO or Showtime. I’d sit cross-legged, mesmerized by the magic of movies and storytelling.”
That enchantment with film never faded, even as Williams pursued a traditional path. He earned a bachelor’s and MBA from UNC Charlotte and the University of Houston, worked at GE in Virginia, and had all the markings of a solid professional career. But the desire to act kept pulling at him. “My wife said, ‘You can either go after it or stop talking about it—but you can’t not go after it and keep talking about it.’”
So, he made a pivot. At 32, Williams went to New York. Got a commercial agent, started doing independent films, and even created a TV pilot titled F.A.M. He didn’t wait for permission; he made his own path.
Betting on Himself
The courage to chase his dream came from a place of faith and personal reckoning. “I was struggling with religion and spirituality,” Williams shared. “I just felt like, if this higher being is real and I tell it what I want, it shouldn’t be denied. But my job is to work so hard at it that it has to happen.”
Anthony E. Williams in New Amsterdam/ imdb
That grit paid off. He booked roles on shows he grew up watching. Law & Order, in particular, marked a turning point—not just for him, but for those closest to him. “My mom said she didn’t think I was really an actor until I got on Law & Order. She was like, ‘That’s a real show.’”
But it wasn’t, and still isn’t, always glamorous. Guest roles, as he explains, come with unique challenges. “They [the series regulars] are a family—you’re the outsider,” he says of stepping onto a long-running series set. “This might be your big shot, but to them, it’s just Tuesday.” Still, he finds a way to own his space: “When the camera comes on, especially when I’m playing an FBI agent or an Army captain, I have to turn off being a fan. In this scene, I 100% deserve to be here.”
The Power of Representation
Williams isn’t just passionate about performing—he’s equally committed to shaping narratives behind the camera. His pilot FAM, which he wrote, produced, and funded himself, centers around a positive, Black, blended family.
“I think sometimes the narrative in Black cinema and TV can skew negative,” he says. “We needed a new version of The Cosbys.” The show explores the complex relationships between a husband, his ex-wife, his current wife, and his daughter. Much of the story is drawn from his own life: “95% of it is personal,” Williams reveals. “It shows the growth in how me and my ex co-parent, and how we work together, and the intricacies and the nuances between her and my wife, and my daughter, and how we raise her together as a tribe. And I think that anytime we have blended families in African-American culture, there’s just negativity and drama that doesn’t necessarily have to be there.”
F.A.M official poster/ imdb
Despite initial festival rejections, FAM later earned accolades and ultimately helped launch Williams’ career. “The festivals that turned me down one year gave me awards the next. That’s faith and hard work,” he says. And now, with a solid IMDb and credits alongside industry legends, Williams is repackaging FAM for a new pitch. “Back then, I had no co-stars, no one-liners. Now I’ve been with Mariska [Hargitay] and I’ve been face-to-face with Queen Latifah and James Spader… Now when I go to present, I’m taking another approach at it.”
Working with Tyler Perry: From Sistas to Straw
Williams’ latest acting credit came with Netflix’s Straw, a fast-paced thriller from Tyler Perry Studios. “This was my third Tyler Perry project,” he says, with Sistas being the first, followed by Young Dylan. “I saw the casting notice on Actors Access, reached out, and booked it.” But getting to Georgia was another story.
Anthony E. Williams attends the premiere of Tyler Perry’s STRAW/ imdb
While filming a separate horror film in New York, Williams realized the dates were overlapping. “I left set at 3 p.m., ran to Enterprise, and drove 15 hours to Atlanta overnight.” After getting pulled over by a cop in the middle of the night and explaining he was on his way to Tyler Perry Studios, the officer let him go with just a warning. “By 8 a.m., sleep-deprived, I was on set looking at Taraji P. Henson, Rockmond Dunbar, and Teyana Taylor. You can’t make this stuff up.”
Working with Tyler Perry, who is known for filming intensely and efficiently, was a crash course in readiness. “You can miss a scene, and they’ll just throw someone else in. So I was basically Tyler’s shadow,” he laughs. “There are at least three scenes I wasn’t supposed to be in, but I was just standing there like, ‘Mind if I jump in?”And he’s like, ‘Yeah.’”
A Vision for What’s Next
With his production company, WMZ Entertainment, Williams is developing two more pilots—a comedy and a procedural drama—but FAM remains his north star. “That’s the one that’s going to kick things off. I think that’s the one that can affect the culture.”
He’s also passionate about changing the scope of Black storytelling. “I want to see more Black characters living regular lives, not just being defined by race or trauma. There’s a whole section of our community that’s underrepresented. We’re not all one story.”
Whether he’s sharing scenes with Taraji or pitching his own series, Anthony E. Williams is a force moving with purpose. He’s someone who chased his dream, bet on himself, and never lost the fire.
“I might be 80 years old when we say ‘action’ on FAM,” he says. “But I’m still going to do it.”
As ‘The Handmaid’s Tale’ enters its final chapter, actor O-T Fagbenle—who has played Luke Bankole since the very beginning — is taking it all in with a deep sense of appreciation. Speaking with Hollywood Melanin, Fagbenle opened up about his experience on the groundbreaking series, what it meant to him, and how his character evolves as the story comes to a close.
“My overall feeling is one of gratitude,” he shared. “So few people get to be part of a big show, let alone one that means so much to so many people. And you know, everything ends—that’s the ephemeral nature of the universe. The fact that we’re ending it in style, the way we want to, and in a way I think the audience will find really satisfying, makes me happy.”
O-T Fagbenle as Luke Bankole, Jordana Blake as Hannah Bankole, Elisabeth Moss as June Osborne / The Handmaid’s Tale, HULU
Filming the final scenes was both emotional and physically demanding, especially in the freezing Toronto weather, where the show is filmed.
“I’ll never forget how cold it was—my goodness, Toronto can get freezing!” he recalled. “But what really stood out was having Lizzie [Elisabeth Moss] direct the final episode. Watching her blossom into this powerhouse artist—acting, producing, directing—she does it all so brilliantly. Everything started with her. The very first scene of the show was her, Hannah, and me in the car. So this final season feels like a full-circle moment.”
Throughout the series, Luke has faced intense emotional and moral challenges. His journey mirrors the reality of many displaced people around the world—those caught in the chaos of war and political upheaval, struggling with a lack of power and control.
“One of Luke’s biggest challenges has always been his sense of helplessness—his inability to act,” Fagbenle explained. “He can’t get his daughter back, he can’t get his wife back. That reflects the reality of so many refugees today who have no power over the machinery of big governments. But what’s satisfying in this final season is that you finally get to see Luke take some chances—he starts to make a bit of a difference.”
As ‘The Handmaid’s Tale’ enters its sixth and final season, Fagbenle’s reflections serve as a powerful reminder of the emotional depth and cultural relevance the series has carried since its debut. With new episodes dropping weekly from April 8 through May 27 on HULU, fans can expect a poignant and gripping conclusion to the story of June Osborn and those around her. For Fagbenle and viewers who’ve followed Luke’s journey from the beginning, this season promises a payoff that’s both meaningful and hard-earned.
Campbell Addy gets candid about his life and art in the new docuseries from National Geographic.
‘Photographer’ is a six-part documentary collection featuring seven visual artists who take on significant projects and invite viewers on the journey. Award-winning filmmakers E. Chai Vasarhelyi and Jimmy Chin share interwoven backstories, archival interviews, and verité footage to unveil the intimate process behind creating some of the most iconic photography masterpieces.
Episode four, titled ‘Feeling Seen,’ features the story of the award-winning British Ghanaian photographer Campbell Addy. It examines different facets of Addy’s life, such as his art, family, heritage, faith, and identity.
A brilliant visionary, Addy photographed celebrities from Beyonce to Meghan Markle before the age of 30. In ‘Photographers,’ we follow the creative as he prepares for his solo exhibition in London. This is a turning point in his career, where he gets to redefine himself as an artist. Addy’s art show, ‘I Love Campbell,’ carries a simple yet powerful message, shifting the focus from the photographer’s high-fashion pieces to highlight his most intimate and comprehensive works to date.
When first approached to participate in the documentary, Addy tells Hollywood Melanin he had doubts. “At first, I didn’t think it was real. I remember sitting down with [my team], and we spoke about what I planned to do. I get to meet these wonderful people; if it works, it’s great; if it doesn’t, it’s also fine.”
Bold, vulnerable, and honest, Addy’s episode in the ‘Photographer’ shows a side of the artist the public hasn’t seen before. The 30-year-old says telling things as is was his intention from the very beginning. “This was the only way I could do it. I needed to be honest, I needed to be authentic and I needed to make sure I’m telling a story that is important. It isn’t just about the image. It’s a lot more than that.”
With so many masterpieces already out there, Addy, in true artist fashion, says he has no favorites. “It’s like choosing a favorite child,” he laughs.
The saying about experiences shaping who we are could not be more true for Addy, whose journey through life is most certainly reflected in his work. His art encompasses it all – from the challenges of being raised in a strict religious household to the pushback he encountered as a queer Black artist. Would he have it any other way? Addy says, “Hard ‘no’ on going back. I’ve come too far. I used to do it a lot. That kind of energy would put you in a bad place. I am in a space of ‘yesterday has happened’ and ‘tomorrow doesn’t exist’. I’m here now, so. There is nothing ’cause then I wouldn’t be me.”
Watch National Geographic’s ‘Photographer,’ now available to stream on Disney+.
A Snowy Day in Oakland is heading into theaters this week. The magical-realism comedy starring Nicole Ari Parker is gearing up to be introduced to the world on Friday, March 17. Hollywood Melanin sat down with the leading star to explore some of the critical issues addressed in the film.
At the center of the story is LaTrice (Parker), the successful psychologist from San Francisco who longs for a more purposeful life. Leaving her unfaithful, high-profile psychiatrist boyfriend and business partner behind, she establishes her practice in a vacant office space on a small commercial block across the bay in Oakland. Surrounded by minority-owned businesses, LaTrice is determined to provide support and gently guide the residents of this predominantly Black neighborhood to embrace the importance of communicating one’s feelings through therapy.
Nicole Ari Parker as LaTrice/ ‘A Snowy Day In Oakland’
“I think there is an issue of trust in the Black community where we just keep our problems close to our chest,” Parker expressed while discussing mental healthcare in minority groups. “It’s also an expense. It’s an investment. So, when you are trying to make ends meet and prioritize your income, it feels like a luxury. But I think that that’s an expense worth taking.”
Helmed by Sister, Sister creator Kim Bass, the film was initially shot six years ago. Parker says she attributes her involvement in this project not just to the powerful and relevant script but also to “Kim’s vision, his magical realism, his playing with time, and his saturation of color,” she added, “We don’t really get to have that kind of whimsy in most independent Black films.”
‘A Snowy Day in Oakland’ cast
Produced by Planet 9 Productions and distributed by People of Culture Studios, this dramatic comedy also explores other meaningful themes like navigating complex relationships and struggles of entrepreneurship. Those conversations are explored through the town’s biggest personalities, Davis (Deon Cole), Jeanette (Loretta Devine), Theona (Kimberly Elise), and Rodney (Evan Ross). The star-studded cast also includes Keith David, Marla Gibbs, Michael Jai White, Tony Plana, Arden Myrin, and others.
Kimberly Elise as Theona, Deon Cole as Davis, Loretta Devine as Jeanette / ‘A Snowy Day In Oakland’
Watch A Snowy Day in Oakland in selected theaters on Friday, March 17. Watch the trailer below.