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NAACP IMAGE AWARDS NOMINEES: ‘HARRIETT’ SCORES THE MOST NOMINATIONS

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Harriet is leading the nominees’ list with a total of 10 nods, including best soundtrack, outstanding motion picture, best actress (Cynthia Erivo), supporting actor (Leslie Odom Jr.), and supporting actress (Janelle Monae) among others.

Jordan Peele‘s Us, Netflix’s Dolemite Is My Name, Melina Matsoukas‘ Queen & Slim, and Michael B. Jordan-starrer Just Mercy are also up for multiple awards.

The ceremony will air on Saturday Feb.22 on BET. Check out the full list of nominees below!

ENTERTAINER OF THE YEAR
• Angela Basset
• Billy Porter
• Lizzo
• Regina King
• Tyler Perry

TELEVISION CATEGORIES
Outstanding Comedy Series
• “Ballers” (HBO)
• “black-ish” (ABC)
• “Dear White People” (Netflix)
• “grown-ish” (Freeform)
• “the Neighborhood” (CBS)

Outstanding Actor in a Comedy Series
• Anthony Anderson – “black-ish” (ABC)
• Cedric The Entertainer – “the Neighborhood” (CBS)
• Don Cheadle – “Black Monday” (Showtime)
• Dwayne Johnson – “Ballers” (HBO)
• Tracy Morgan – “The Last O.G.” (TBS)
Outstanding Actress in a Comedy Series
• Logan Browning – “Dear White People” (Netflix)
• Jill Scott – “First Wives Club” (BET+)
• Tiffany Haddish – “The Last O.G.” (TBS)
• Tracee Ellis Ross – “black-ish ” (ABC)
• Yara Shahidi – “grown-ish” (Freeform)
         
Outstanding Supporting Actor in a Comedy Series
• Andre Braugher – “Brooklyn Nine-Nine” (NBC)
• Deon Cole – “black-ish” (ABC)
• Laurence Fishburne – “black-ish” (ABC)
• T erry Crews – “Brooklyn Nine-Nine” (NBC)
• Tituss Burgess – “Unbreakable Kimmy Schmidt” (Netflix)

Outstanding Supporting Actress in a Comedy Series
• Halle Bailey – “grown-ish” (Freeform)
• Loretta Devine – “Family Reunion” (Netflix)
• Marsai Martin – “black-ish” (ABC)
• Regina Hall – “Black Monday” (Showtime)
• Tichina Arnold – “the Neighborhood” (CBS)

Outstanding Drama Series
• “Godfather of Harlem” (EPIX)
• “Greenleaf” (OWN)
• “Queen Sugar” (OWN)
• “The Chi” (Showtime)
• “Watchmen” (HBO)

Outstanding Actor in a Drama Series
• Billy Porter – “Pose” (FX Networks)
• Forest Whitaker – “Godfather of Harlem” (EPIX)
• Kofi Siriboe – “Queen Sugar” (OWN)
• Omari Hardwick – “Power” (Starz)
• Sterling K. Brown – “This Is Us” (NBC)

Outstanding Actress in a Drama Series
• Angela Bassett – “9-1-1” (FOX)
• Regina King – “Watchmen” (HBO)
• Rutina Wesley – “Queen Sugar” (OWN)
• Simone Missick – “All Rise” (CBS)
• Viola Davis – “How to Get Away with Murder” (ABC)

Outstanding Supporting Actor in a Drama Series
• Delroy Lindo – “The Good Fight” (CBS All Access)
• Giancarlo Esposito – “Godfather of Harlem” (EPIX)
• Harold Perrineau – “Claws” (TNT)
• Nigél Thatch – “Godfather of Harlem” (EPIX)
• Wendell Pierce – “Tom Clancy’s Jack Ryan” (Prime Video)

Outstanding Supporting Actress in a Drama Series
• CCH Pounder – “NCIS: New Orleans” (CBS)
• Lynn Whitfield – “Greenleaf” (OWN)
• Lyric Ross – “This Is Us” (NBC)
• Susan Kelechi Watson – “This Is Us” (NBC)
• Tina Lifford – “Queen Sugar” (OWN)

Outstanding Television Movie, Limited-Series or Dramatic Special
• American Son (Netflix)
• Being Mary Jane (BET Networks)
• Native Son (HBO)
• True Detective (HBO)
• When They See Us (Netflix)

Outstanding Actor in a Television Movie, Limited-Series or Dramatic Special
• Caleel Harris – “When They See Us” (Netflix)
• Ethan Henru Herisse – “When They See Us” (Netflix)
• Idris Elba – “Luther” (BBC America)
• Jharrel Jerome – “When They See Us” (Netflix)
• Mahershala Ali – “True Detective” (HBO)

Outstanding Actress in a Television Movie, Limited-Series or Dramatic Special
• Aunjanue Ellis – “When They See Us” (Netflix)
• Gabrielle Union – “Being Mary Jane” (BET Networks)
• Kerry Washington – “American Son” (Netflix)
• Niecy Nash – “When They See Us” (Netflix)
• Octavia Spencer – “Truth Be Told” (Apple TV+)

Outstanding News/Information (Series or Special)
• PUSHOUT: The Criminalization of Black Girls in Schools (PBS)
• Surviving R. Kelly (Lifetime)
• The Breakfast Club (REVOLT)
• The Story of God with Morgan Freeman (National Geographic)
• Unsung (TV One)

Outstanding Talk Series
• “Red Table Talk” (Facebook Watch)
• “The Daily Show with Trevor Noah” (Comedy Central)
• “The Real” (Syndicated)
• “The Shop: Uninterrupted” (HBO)
• “The Tamron Hall Show” (Syndicated)

Outstanding Reality Program/Reality Competition Series/Game Show
• “Iyanla: Fix My Life” (OWN)
• “Lip Sync Battle” (Paramount Network)
• “Rhythm + Flow” (Netflix)
• “Sunday Best” (BET Networks)
• “The Voice” (NBC)

Outstanding Variety (Series or Special)
• “2019 Black Girls Rock!” (BET Networks)
• “Dave Chappelle: Sticks & Stones” (Netflix)
• “Homecoming: A Film by Beyoncé” (Netflix)
• “Saturday Night Live” (NBC)
• “Wanda Sykes: Not Normal” (Netflix)

Outstanding Children’s Program
• “Doc McStuffins” (Disney Junior)
• “Family Reunion” (Netflix)
• “Kevin Hart’s Guide to Black History” (Netflix)
• “Marvel’s Avengers: Black Panther’s Quest” (Disney XD)
• “Motown Magic” (Netflix)

Outstanding Performance by a Youth (Series, Special, Television Movie or Limited-Series)
• Caleel Harris – “When They See Us” (Netflix)
• Lonnie Chavis – “This Is Us” (NBC)
• Lyric Ross – “This Is Us” (NBC)
• Marsai Martin – “black-ish” (ABC)
• Miles Brown – “black-ish” (ABC)

Outstanding Host in a Talk or News/Information (Series or Special) – Individual or Ensemble
• Angela Rye – “Young Gifted and Broke: A BET Town Hall” (BET Networks)
• Jada Pinkett Smith – “Red Table Talk” (Facebook Watch)
• Lester Holt – “NBC Nightly News with Lester Holt” (NBC)
• Trevor Noah – “The Daily Show with Trevor Noah” (Comedy Central)
• Whoopi Goldberg, Joy Behar, Sunny Hostin, Meghan McCain, Abby Huntsman, Ana Navarro – “The View” (ABC)

Outstanding Host in a Reality/Reality Competition, Game Show or Variety (Series or Special) – Individual or Ensemble
• Iyanla Vanzant – “Iyanla: Fix My Life” (OWN)
• LL Cool J – “Lip Sync Battle” (Paramount Network)
• Regina Hall – “2019 BET Awards” (BET Networks)
• Steve Harvey – “Celebrity Family Feud” (ABC)
• Wayne Brady – “Let’s Make A Deal” (CBS)

Outstanding Guest Performance in a Comedy or Drama Series
• Blair Underwood – “Dear White People” ( Netflix)
• David Alan Grier – “Queen Sugar” (OWN)
• Kelly Rowland – “American Soul” (BET Networks)
• MAJOR. – “STAR” (FOX)
• Sanaa Lathan – “The Affair” (Showtime)

RECORDING CATEGORIES
 Outstanding Album
• “Cuz I Love You” – Lizzo (Nice Life Records/Atlantic Records)
• “Homecoming: The Live Album” – Beyoncé (Parkwood Entertainment/Columbia
Records)
• “I Used To Know H.E.R.” – H.E.R. (RCA Records)
• “Sketchbook” – Fantasia (Rock Soul Inc./BMG)
• “Worthy” – India.Arie (India.Arie Inc./BMG)

Outstanding New Artist
• Ari Lennox (Dreamville/Interscope Records)
• Lil Nas X (Columbia Records)
• Lucky Daye (Keep Cool/RCA Records)
• Mahalia (Burkmar/Warner Music UK)
• Mykal Kilgore (Affective Music)

Outstanding Male Artist
• Bruno Mars (Atlantic Records)
• Khalid (RCA Records)
• Lil Nas X (Columbia Records)
• MAJOR. (BOE Music Group/EMPIRE)
• PJ Morton (Morton Records)

Outstanding Female Artist
• Beyoncé (Parkwood Entertainment/Columbia Records)
• Fantasia (Rock Soul Inc./BMG)
• H.E.R. (RCA Records)
• India.Arie (India.Arie Inc./BMG)
• Lizzo (Nice Life Records/Atlantic Records)

Outstanding Song – Traditional
• “Enough” – Fantasia (Rock Soul Inc./BMG)
• “Jerome” – Lizzo (Nice Life Records/Atlantic Records)
• “SPIRIT” – Beyoncé (Parkwood Entertainment/Columbia Records)
• “Stand Up” – Cynthia Erivo (Back Lot Music)
• “Steady Love” – India.Arie (India.Arie Inc./BMG)

Outstanding Song – Contemporary
• “Before I Let Go” – Beyoncé (Parkwood Entertainment/Columbia Records)
• “Hard Place” – H.E.R. (RCA Records)
• “Juice” – Lizzo (Nice Life Records/Atlantic Records)
• “Talk” – Khalid (RCA Records)
• “Motivation” – Normani (Keep Cool/RCA Records)

Outstanding Duo, Group or Collaboration
• “Brown Skin Girl” – Blue Ivy, SAINt JHN, Beyoncé & WizKiD (Parkwood Entertainment/Columbia Records)
• “No Guidance” – Chris Brown feat. Drake (Chris Brown Entertainment/RCA Records)
• “Say So” – PJ Morton feat. JoJo (Morton Records/EMPIRE)
• “Shea Butter Baby” – Ari Lennox feat. J. Cole (Dreamville/Interscope Records)
• “Show Me Love” – Alicia Keys feat. Miguel (RCA Records)

Outstanding Jazz Album
• “Carib” – David Sanchez (Ropeadope)
• “Center of The Heart” – Najee (Shanachie)
• “Love & Liberation” – Jazzmeia Horn (Concord Jazz)
• “SoulMate” – Nathan Mitchell (Enm Music Group)
• “The Dream Is You: Vanessa Rubin Sings Tadd Dameron” – Vanessa Rubin
(Vanessa Rubin)

Outstanding Gospel/Christian Song (Traditional or Contemporary)
• “I Made It Out” – John P. Kee feat. Zacardi Cortez (Kee Music Group/Entertainment One)
• “Laughter” – Bebe Winans feat. Korean Soul (Regimen Records)
• “Love Theory” – Kirk Franklin (Fo Yo Soul Records/RCA Records)
• “Not Yet” – Donnie McClurkin (Camdon Music/RCA Inspiration)
• “Victory” – The Clark Sisters (Karew Records/Motown Gospel/Capitol CMG)

Outstanding Music Video/Visual Album
• “Hard Place” – H.E.R. (RCA Records)
• “Juice” – Lizzo (Nice Life Records/Atlantic Records)
• “No Guidance” – Chris Brown feat. Drake (Chris Brown Entertainment/RCA
Records)
• “Steady Love” – India.Arie (India.Arie Inc./BMG)
• “Talk” – Khalid (RCA Records)

Outstanding Soundtrack/Compilation Album
• “Harriet (Original Motion Picture Soundtrack)” – Terence Blanchard (Back Lot Music)
• “Queen & Slim The Soundtrack” – Various Artists (Motown Records)
• “The Lion King: The Gift” – Beyoncé w/Various Artists (Parkwood
Entertainment/Columbia Records)
• “The Lion King Original Motion Picture Soundtrack” – Various Artists (Walt Disney
Records)
• “Us (Original Motion Picture Soundtrack)” – Michael Abels (Back Lot Music)

LITERATURE CATEGORIES
Outstanding Literary Work – Fiction
• “New Daughters of Africa” – Margaret Busby (HarperCollins Publishers)
• “Out of Darkness, Shining Light” – Petina Gappah (Simon and Schuster)
• “Red at the Bone” – Jacqueline Woodson (Riverhead Books PRH)
• “The Revisioners” – Margaret Wilkerson Sexton (Counter Point Press)
• “The Water Dancer” – Ta-Nehisi Coates (One World)

Outstanding Literary Work – Nonfiction
• “Breathe: A Letter to My Sons” – Dr. Imani Perry (Beacon Press)
• “STONY THE ROAD: Reconstruction, White Supremacy, and the Rise of Jim
Crow” – Henry Louis Gates, Jr. (Penguin Press)
• “The Source of Self-Regard: Selected Essays, Speeches, and Meditations” –
Toni Morrison (Alfred A. Knopf)
• “The Yellow House” – Sarah M. Broom (Grove Atlantic)
• “What Doesn’t Kill You Makes You Blacker: A Memoir in Essays” – Damon Young
(HarperCollins Publishers)

Outstanding Literary Work – Debut Author
“American Spy” – Lauren Wilkinson (Random House)
• “I Am Dance: Words and Images of the Black Dancer” – Hal Banfield (Author),
Javier Vasquez (Illustrator), (Literary Revolutionary)
• “More Than Pretty: Doing The Soul Work To Uncover Your True Beauty ” – Erica
Campbell (Howard Books)
• “Such A Fun Age” – Kiley Reid (Penguin Publishing Group)
• “The Farm” – Joanne Ramos (Random House)

Outstanding Literary Work – Biography/Autobiography
• “Free Cyntoia: My Search for Redemption in the American Prison System” – Cyntoia Brown-Long (Atria Books)
• “Finding My Voice: My Journey to the West Wing and the Path Forward” – Valerie Jarrett (Viking Press)
• “More Than Enough: Claiming Space for Who You Are (No Matter What They Say)” – Elaine Welteroth (Viking Press)
• “My Name Is Prince” – Randee St. Nicholas (HarperCollins Publishers)
• “The Beautiful Ones” – Prince (Author), Dan Piepenbring (Edited by), (Random
House)

Outstanding Literary Work – Instructional
• “Inspire Your Home: Easy, Affordable Ideas to Make Every Room Glamorous” – Farah Merhi (Tiller Press)
• “Letters to the Finishers (who struggle to finish)” – Candace E. Wilkins (New Season Books)
• “More Than Pretty: Doing the Soul Work that Uncovers Your True Beauty” – Erica Campbell (Howard Books)
• “Vegetables Unleashed” – José Andres (HarperCollins Publishers)
• “Your Next Level Life: 7 Rules of Power, Confidence, And Opportunity For Black Women In America” – Karen Arrington (Author), Joanna Price (Illustrator), Sheryl Taylor (Forward) (Mango Publishing)

Outstanding Literary Work – Poetry
• “A Bound Woman Is a Dangerous Thing: The Incarceration of African American Women from Harriet Tubman to Sandra Bland” – DaMaris B. Hill (Bloomsbury Publishing)
• “Felon: Poems” – Reginald Dwayne Betts (W.W. Norton Company)
• “Honeyfish” – Lauren K. Alleyne (New Issues Poetry and Prose)
• “Mistress” – Chet’la Sebree (New Issue Poetry and Prose)
• “The Tradition” – Jericho Brown (Copper Canyon Press)

Outstanding Literary Work – Children
• “A Place to Land: Martin Luther King Jr. and the Speech That Inspired a Nation” – Barry Wittenstein (Author), Jerry Pinkney (Illustrator), (Penguin Random House)
• “Hair Love” – Matthew A. Cherry (Author), Vashti Harrison (Illustrator), (Kokila)
• “Parker Looks Up: An Extraordinary Moment” – Parker Curry (Author), Jessica
Curry (Author), Brittany Jackson (Illustrator), (Aladdin Books)
• “Ruby Finds a Worry” – Tom Percival (Bloomsbury Publishing)
• “Sulwe” – Lupita Nyong’o (Author), Vashti Harrison (Illustrator), (Simon &
Schuster, BFYR)

Outstanding Literary Work – Youth/Teens
• “Around Harvard Square” – C.J. Farley (Akashic Books)
• “Her Own Two Feet: A Rwandan Girl’s Brave Fight to Walk” – Meredith Davis
(Author), Rebeka Uwitonze (Author), (Scholastic Inc.)
• “Hot Comb” – Ebony Flowers (Author), Ebony Flowers (Illustrator), (Drawn and
Quarterly)
• “I’m Not Dying with You Tonight” – Gilly Segal (Author), Kimberly Jones (Author),
(Sourcebooks Fire)
• “The Forgotten Girl” – India Hill Brown (Scholastic Inc.)

MOTION PICTURE CATEGORIES
Outstanding Motion Picture
• “Dolemite is My Name” (Netflix)
• “Harriet” (Focus Features)
• “Just Mercy” (Warner Bros. Pictures)
• “Queen & Slim” (Universal Pictures)
• “Us” (Universal Pictures)

Outstanding Actor in a Motion Picture
• Chadwick Boseman – “21 Bridges” (STX Films)
• Daniel Kaluuya – “Queen & Slim” (Universal Pictures)
• Eddie Murphy – “Dolemite is My Name” (Netflix)
• Michael B. Jordan – “Just Mercy” (Warner Bros. Pictures)
• Winston Duke – “Us” (Universal Pictures)

Outstanding Actress in a Motion Picture
• Alfre Woodard – “Clemency” (Neon)
• Cynthia Erivo – “Harriet” (Focus Features)
• Jodie Turner-Smith – “Queen & Slim” (Universal Pictures)
• Lupita Nyong’o – “Us” (Universal Pictures)
• Naomie Harris – “Black and Blue” (Screen Gems/Sony Pictures)

Outstanding Supporting Actor in a Motion Picture
• Jamie Foxx – “Just Mercy” (Warner Bros. Pictures)
• Leslie Odom, Jr. – “Harriet” (Focus Features)
• Sterling K. Brown – “Waves” (A24)
• Tituss Burgess – “Dolemite Is My Name” (Netflix)
• Wesley Snipes – “Dolemite Is My Name” (Netflix)

Outstanding Supporting Actress in a Motion Picture
• Da’Vine Joy Randolph – “Dolemite is My Name” (Netflix)
• Janelle Monáe – “Harriet” (Focus Features)
• Jennifer Lopez – “Hustlers” (STX Films)
• Marsai Martin – “Little” (Universal Pictures)
• Octavia Spencer – “Luce” (Neon)

Outstanding Breakthrough Performance in Motion Picture
• Cynthia Erivo – “Harriet” (Focus Features)
• Jodie Turner-Smith – “Queen & Slim” (Universal Pictures)
• Marsai Martin – “Little” (Universal Pictures)
• Rob Morgan – “Just Mercy” (Warner Bros. Pictures)
• Shahadi Wright Joseph – “Us” (Universal Pictures)

Outstanding Ensemble Cast in a Motion Picture
• “Dolemite is My Name” (Netflix)
• “Harriet” (Focus Features)
• “Just Mercy” (Warner Bros. Pictures)
• “Queen & Slim” (Universal Pictures)
• “Us” (Universal Pictures)

Outstanding Independent Motion Picture
• “Clemency” (Neon)
• “Dolemite is My Name” (Netflix)
• “Luce” (Neon)
• “Queen & Slim” (Universal Pictures)
• “The Boy Who Harnessed the Wind” (Netflix)

Outstanding Character Voice-Over Performance (Television or Film)
• Alfre Woodard – “The Lion King” (Walt Disney Studios)
• Donald Glover – “The Lion King” (Walt Disney Studios)
• James Earl Jones – “The Lion King” (Walt Disney Studios)
• Lupita Nyong’o – “Serengeti” (Discovery Channel)
• Sterling K. Brown – “Frozen II” (Walt Disney Studios)

DOCUMENTARY CATEGORIES
Outstanding Documentary (Film)
• “Miles Davis: Birth Of The Cool” (Eagle Rock Entertainment)
• “The Black Godfather” (Netflix)
• “The Apollo” (HBO)
• “Toni Morrison: The Pieces I Am” (Magnolia Pictures)
• “True Justice: Bryan Stevenson’s Fight for Equality” (HBO)

Outstanding Documentary (Television – Series or Special)
• “Free Meek” (Prime Video)
• “Hitsville: The Making of Motown” (Showtime)
• “Homecoming: A Film by Beyoncé” (Netflix)
• “Martin: The Legacy of A King” (BET Networks)
• “ReMastered: The Two Killings of Sam Cooke” (Netflix)

WRITING CATEGORIES
Outstanding Writing in a Comedy Series
• Cord Jefferson – “The Good Place” – Tinker, Tailor, Demon, Spy (NBC)
• Gloria Calderon Kellett, Mike Royce – “One Day at a Time” – Ghosts (Netflix)
• Jason Kim – “Barry” – Past=Present x Future Over Yesterday (HBO)
• Karen Gist, Peter Saji – “Mixed-ish” – Let Your Hair Down (ABC)
• Trevor Noah – “The Daily Show with Trevor Noah” – Steve King’s Comments
Meet Trevor Noah: Racism Detective (Comedy Central)

Outstanding Writing in a Drama Series
• Ava DuVernay, Michael Starrbury – “When They See Us” – Part Four (Netflix)
• Damon Lindelof, Cord Jefferson – “Watchmen” – The Extraordinary Being (HBO)
• Nichelle Tramble Spellman – “Truth Be Told” – Monster (Apple TV+)
• Nkechi Okoro Carroll – “All American” – Hussle & Motivate (The CW)
• Pat Charles – “Black Lightning” – The Book of Secrets: Chapter One: Prodigal
       Son (The CW)

Outstanding Writing in a Motion Picture (Television)
• Cas Sigers-Beedles – “Twas the Chaos Before Christmas” (BET)
• Melissa Bustamante – “A Christmas Winter Song” (Lifetime)
• Patrik-Ian Polk – “Being Mary Jane” (BET Networks)
• Suzan-Lori Parks – “Native Son” (HBO)
• Yvette Nicole Brown – “Always a Bridesmaid” (BET Networks)

Outstanding Writing in a Motion Picture (Film)
• Chinonye Chukwu – “Clemency” (Neon)
• Destin Daniel Cretton, Andrew Lanham – “Just Mercy” (Warner Bros. Pictures)
• Doug Atchison – “Brian Banks” (Bleeker Street and ShivHans)
• Jordan Peele – “Us” (Universal Pictures)
• Kasi Lemmons, Gregory Allen Howard – “Harriet” (Focus Features)

DIRECTING CATEGORIES
Outstanding Directing in a Comedy Series
• Anya Adams – “GLOW” – Outward Bound (Netflix)
• Justin Tipping – “Black Monday” -7042 (Showtime)
• Ken Whittingham – “Atypical” – Road Rage Paige (Netflix)
• Randall Winston – “Grace and Frankie” – The Pharmacy (Netflix)
• Shaka King – “Shrill” – Pool (Hulu)

Outstanding Directing in a Drama Series
• Ava DuVernay – “When They See Us” – Part Four (Netflix)
• Carl H. Seaton, Jr. – “Snowfall” – Hedgehogs (FX Networks)
• Curtis “50 Cent” Jackson – “Power” – Forgot About Dre (STARZ)
• Debbie Allen – “Grey’s Anatomy” – Silent All These Years (ABC)
• Jet Wilkinson – “The Chi” – The Scorpion and the Frog (Showtime)

Outstanding Directing in a Motion Picture (Television)
• Codie Elaine Oliver – “Black Love” (OWN)
• Janice Cooke – “I Am Sombody’s Child: The Regina Louise Story (Lifetime)
• Kenny Leon – “American Son” (Netflix)
• Rashid Johnson – “Native Son (HBO)
• Russ Parr – “The Bobby Debarge Story” (TV One)

Outstanding Directing in a Motion Picture (Film)
• Chiwetel Ejiofor – “The Boy Who Harnessed the Wind” (Netflix)
• Jordan Peele – “Us” (Universal Pictures)
• Kasi Lemmons – “Harriet” (Focus Features)
• Mati Diop – “Atlantics” (Les Films du Bal Presente en Co-Production avec
Cinekap et Frakas Productions en Co-Production avec Arte France Cinema et
Canal+ International for Netflix) 
• Reginald Hudlin – “The Black Godfather” (Netflix)

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Rihanna’s New Wax Figure Unveiled at Madame Tussauds in Amsterdam

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Rihanna wax figure

The global icon and entrepreneur Rihanna was honored with a new wax figure at Madame Tussauds in Amsterdam, Netherlands, this week.

Her outfit this time around is inspired by one of her looks from the 2020 Savage x Fenty show, which streamed exclusively on Prime Video.

Rihanna wax figure Amsterdam

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Starz Releases Official Trailer for ‘Run The World’ Season 2

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Run The World

The squad is back! Starz dropped the new trailer for ‘Run The World’ season 2, and it looks like our favorite NYC girls are in for more fun and drama. Bresha Webb, Amber Stevens West, and Corbin Reid are reprising their roles as Renee, Whitney, and Sondi, respectively. Andrea Bordeaux (who played Ella in Season 1) departed the show over the COVID-19 vaccine mandate.

The new season will follow the “euphoric highs and heartbreaking lows that Whitney, Renee, and Sondi must endure in their pursuit of world domination,” says the official synopsis. “Whitney must follow the road of self-discovery to thrive in her life with or without Ola, while Renee and Sondi must decide what they truly want out of life — both in love and their careers. Whether they reunite with a past love, taste the life of a millionaire, or see their career take off in a radical new direction, these powerful Black women, fortified by their impenetrable friendship, won’t let anything get in their way.”

The new episodes of ‘Run the World’ will premiere on Friday, May 26.

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Disney Casts Actors of Color to Play Fictional White Characters – Impactful or Opportunistic?

The studio has faced criticism for hiring non-white actors to portray roles depicted in Disney cartoons as white for its live-action remakes.

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This year, Disney is gearing up to release live-action remakes of ‘The Little Mermaid’ and ‘Peter Pan.’ Each will feature a Black actor playing a fictional character originally portrayed by a white actor. Halle Bailey, a Black actress and singer, is set to portray the beloved red-haired, fish-tailed under-the-sea princess Ariel. Yara Shahidi, a daughter of an Iranian father and an African-American mother, will star as Peter Pan’s most trusted fairy friend Tinkerbell. Both movies are scheduled to be released in the next two months.
 
The casting decisions came with backlash from a vast number of Twitter and Redditt users, who claim – “blackwashing” childhood characters (i.e., taking an originally white character and making them a person of color) will not solve the lack of inclusivity in Hollywood. But is that really why they so passionately stand against it? The negative attention on Little Mermaid and Tinker Bell has also fueled great support from other fans who view such anger as racist behavior. “Those opposed to diversity on screen are the ones fighting it in real life,” one Twitter user wrote. Rob Marshall, who directs the upcoming Little Mermaid remake, admitted he was caught off guard by some of the negative responses that came with casting Bailey. “I wasn’t anticipating that because, in a way, I felt like we’ve moved so far past that kind of thing.” He also insisted there was no agenda in Disney’s decision to hire the 22-year-old, “We just were looking for the best
actor for the role, period. The end,” he told Entertainment Weekly. “We saw everybody and every ethnicity. The goal was to find someone who can be incredibly strong, passionate, beautiful, smart, clever, and with a great deal of fire and joy,” Marshall explained.
 
For a few years now, Disney, among other media companies, has made an effort to
redeem itself from a century-long history of producing controversial movies and
animated films (‘Song of the South,’ ‘Dumbo, ‘The Aristocrats”), some of which have been deemed racist or ‘culturally outdated’ as Disney conveniently describes it. Most recently, in the midst of the COVID-19 pandemic, the company announced a diversity and inclusion program ‘Reimagine Tomorrow,’ that is committed to “amplifying underrepresented voices and untold stories as well as championing the importance of accurate representation in media and entertainment.” Casting more people of color could count as a way to honor their commitment, but is changing the ethnicity of established characters the best solution? Some argue that it could be. Several previously released remakes that followed this model have done well, despite surrounding controversy.

Rodgers and Hammerstein’s Cinderella cast/ Disney

Rodgers and Hammerstein’s Cinderella cast/ Disney

In 1997, Disney released Rodgers and Hammerstein’s Cinderella, a reimagining of the famed tale. It did not just have a non-white main cast but also received a budget of $12 million, which ranked it among the most expensive television films ever made. The remake featured Brandy, an African-American actor/singer, as Cinderella, the late Whitney Houston as Fairy Godmother, Paulo Montalban, an Asian actor as Prince Christopher, and Victor Garber and Whoopi Goldberg as the king and queen. Although the non-traditional reiteration of the Disney story received mixed reviews from critics, it was met with a lot of praise, specifically from the Black community. “This Cinderella remake is such a beautiful, magical gem of a movie filled with a multiracial cast, and I can’t believe it came out in 1997! Talk about progressive!” a review on IMDb reads. “I think this live-action Cinderella movie is my most favorite. I love the songs and the comedy. Most of the actors are familiar. This movie also teaches us that no matter what we look like, black, white, Asian, we are all the same,” another fan wrote in his five-star review.

Most recently, Disney doubled down on casting non-white actors to star in their remakes. Aside from the aforementioned ‘Little Mermaid’ and ‘Peter Pan’ films, Rachel Zegler, a Latina actress, was cast to play Snow White in a movie scheduled to be released in 2024. Disney’s ‘Wonder Years’ reboot features an all-Black main cast. Zendaya plays MJ in the new Spider-Man movies. And that’s not just with Disney. Amazon Prime Video recently cast Afro-Latino actor Ismael Cruz Córdova to play Arondir, a Silvan elf, in ‘The Lord of the Rings: The Rings of Power.’ The reimagining of ‘The West Side Story’ featured Latino actors in leading roles. Almost every casting announcement caused a social media stir.

Rachel Zegler spotted on the set of ‘Snow White’

But why remake in the first place? According to Dr. Matthew Jones, Film Studies lecturer at De Montfort University in Leicester, “Remake and reboot culture is not new. It’s often framed as something novel and unique to our postmodern times, but there is actually a rich tradition of remakes in Western film culture,” he told Cosmopolitan. So why are they still being made? The answer is fairly simple – remakes are a safe financial bet. Studios capitalize on people’s nostalgia and the connections they already have with their favorite characters. “The most secure option for studios is always going to be something we call a ‘pre-sold property,’ Dr. Jones continued, “meaning films with pre-existing fan audiences. And what types of films have fan audiences before they are even released? Remakes, reboots, and sequels do, precisely because they are already properties familiar to audiences and which some people will feel an emotional attachment to already.”

Those opposed to Disney’s casting decisions to ‘race swap’ insist the company should focus on creating original characters and storylines instead of reimagining the ones they have become so accustomed to. “Another remake! Did Hollywood run out of ideas?” One Reddit user asked. “Disney is only changing the race/ethnicity of characters in live-action remakes to spark controversy and get more people talking about the movie rather than trying to bring minorities to light as protagonists,” another speculated. However, it’s no secret that the United States has a long and dark history of racial discrimination and injustice. So, when minority groups are shown outside of the tired, stereotypical roles or, furthermore, play roles that are considered “traditionally” white – it implies a change that some simply don’t want to accept.

Indeed, Disney had succeeded in the past in introducing original non-white animated characters such as Mulan (the live-action version was released in 2020), Tiana in ‘Princess and the Frog’ (the remake is currently in the works), Moana, and most recently, the family of ‘Encanto.’ But original content inevitably means more resources spent, and with remakes that deliver guaranteed financial gains and casting decisions that bring attention (positive or negative), studios seem to achieve desirable results still. Additionally, the cultural and racial diversification of Disney’s fan base and the pressure to acknowledge and show more of those faces on the screen pushes the company to do just that. So the main question remains – does Hollywood genuinely cares about inclusivity, or is it just adjusting for the sake of profits? No matter the answer, one thing is clear – Disney is not going anywhere any time soon, and neither are the Black, Asian, Latino, and other non-white people across the globe. Those who have a problem will just have to learn to live with it.

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