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Disney Casts Actors of Color to Play Fictional White Characters – Impactful or Opportunistic?

The studio has faced criticism for hiring non-white actors to portray roles depicted in Disney cartoons as white for its live-action remakes.

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This year, Disney is gearing up to release live-action remakes of ‘The Little Mermaid’ and ‘Peter Pan.’ Each will feature a Black actor playing a fictional character originally portrayed by a white actor. Halle Bailey, a Black actress and singer, is set to portray the beloved red-haired, fish-tailed under-the-sea princess Ariel. Yara Shahidi, a daughter of an Iranian father and an African-American mother, will star as Peter Pan’s most trusted fairy friend Tinkerbell. Both movies are scheduled to be released in the next two months.
 
The casting decisions came with backlash from a vast number of Twitter and Redditt users, who claim – “blackwashing” childhood characters (i.e., taking an originally white character and making them a person of color) will not solve the lack of inclusivity in Hollywood. But is that really why they so passionately stand against it? The negative attention on Little Mermaid and Tinker Bell has also fueled great support from other fans who view such anger as racist behavior. “Those opposed to diversity on screen are the ones fighting it in real life,” one Twitter user wrote. Rob Marshall, who directs the upcoming Little Mermaid remake, admitted he was caught off guard by some of the negative responses that came with casting Bailey. “I wasn’t anticipating that because, in a way, I felt like we’ve moved so far past that kind of thing.” He also insisted there was no agenda in Disney’s decision to hire the 22-year-old, “We just were looking for the best
actor for the role, period. The end,” he told Entertainment Weekly. “We saw everybody and every ethnicity. The goal was to find someone who can be incredibly strong, passionate, beautiful, smart, clever, and with a great deal of fire and joy,” Marshall explained.
 
For a few years now, Disney, among other media companies, has made an effort to
redeem itself from a century-long history of producing controversial movies and
animated films (‘Song of the South,’ ‘Dumbo, ‘The Aristocrats”), some of which have been deemed racist or ‘culturally outdated’ as Disney conveniently describes it. Most recently, in the midst of the COVID-19 pandemic, the company announced a diversity and inclusion program ‘Reimagine Tomorrow,’ that is committed to “amplifying underrepresented voices and untold stories as well as championing the importance of accurate representation in media and entertainment.” Casting more people of color could count as a way to honor their commitment, but is changing the ethnicity of established characters the best solution? Some argue that it could be. Several previously released remakes that followed this model have done well, despite surrounding controversy.

Rodgers and Hammerstein’s Cinderella cast/ Disney

Rodgers and Hammerstein’s Cinderella cast/ Disney

In 1997, Disney released Rodgers and Hammerstein’s Cinderella, a reimagining of the famed tale. It did not just have a non-white main cast but also received a budget of $12 million, which ranked it among the most expensive television films ever made. The remake featured Brandy, an African-American actor/singer, as Cinderella, the late Whitney Houston as Fairy Godmother, Paulo Montalban, an Asian actor as Prince Christopher, and Victor Garber and Whoopi Goldberg as the king and queen. Although the non-traditional reiteration of the Disney story received mixed reviews from critics, it was met with a lot of praise, specifically from the Black community. “This Cinderella remake is such a beautiful, magical gem of a movie filled with a multiracial cast, and I can’t believe it came out in 1997! Talk about progressive!” a review on IMDb reads. “I think this live-action Cinderella movie is my most favorite. I love the songs and the comedy. Most of the actors are familiar. This movie also teaches us that no matter what we look like, black, white, Asian, we are all the same,” another fan wrote in his five-star review.

Most recently, Disney doubled down on casting non-white actors to star in their remakes. Aside from the aforementioned ‘Little Mermaid’ and ‘Peter Pan’ films, Rachel Zegler, a Latina actress, was cast to play Snow White in a movie scheduled to be released in 2024. Disney’s ‘Wonder Years’ reboot features an all-Black main cast. Zendaya plays MJ in the new Spider-Man movies. And that’s not just with Disney. Amazon Prime Video recently cast Afro-Latino actor Ismael Cruz Córdova to play Arondir, a Silvan elf, in ‘The Lord of the Rings: The Rings of Power.’ The reimagining of ‘The West Side Story’ featured Latino actors in leading roles. Almost every casting announcement caused a social media stir.

Rachel Zegler spotted on the set of ‘Snow White’

But why remake in the first place? According to Dr. Matthew Jones, Film Studies lecturer at De Montfort University in Leicester, “Remake and reboot culture is not new. It’s often framed as something novel and unique to our postmodern times, but there is actually a rich tradition of remakes in Western film culture,” he told Cosmopolitan. So why are they still being made? The answer is fairly simple – remakes are a safe financial bet. Studios capitalize on people’s nostalgia and the connections they already have with their favorite characters. “The most secure option for studios is always going to be something we call a ‘pre-sold property,’ Dr. Jones continued, “meaning films with pre-existing fan audiences. And what types of films have fan audiences before they are even released? Remakes, reboots, and sequels do, precisely because they are already properties familiar to audiences and which some people will feel an emotional attachment to already.”

Those opposed to Disney’s casting decisions to ‘race swap’ insist the company should focus on creating original characters and storylines instead of reimagining the ones they have become so accustomed to. “Another remake! Did Hollywood run out of ideas?” One Reddit user asked. “Disney is only changing the race/ethnicity of characters in live-action remakes to spark controversy and get more people talking about the movie rather than trying to bring minorities to light as protagonists,” another speculated. However, it’s no secret that the United States has a long and dark history of racial discrimination and injustice. So, when minority groups are shown outside of the tired, stereotypical roles or, furthermore, play roles that are considered “traditionally” white – it implies a change that some simply don’t want to accept.

Indeed, Disney had succeeded in the past in introducing original non-white animated characters such as Mulan (the live-action version was released in 2020), Tiana in ‘Princess and the Frog’ (the remake is currently in the works), Moana, and most recently, the family of ‘Encanto.’ But original content inevitably means more resources spent, and with remakes that deliver guaranteed financial gains and casting decisions that bring attention (positive or negative), studios seem to achieve desirable results still. Additionally, the cultural and racial diversification of Disney’s fan base and the pressure to acknowledge and show more of those faces on the screen pushes the company to do just that. So the main question remains – does Hollywood genuinely cares about inclusivity, or is it just adjusting for the sake of profits? No matter the answer, one thing is clear – Disney is not going anywhere any time soon, and neither are the Black, Asian, Latino, and other non-white people across the globe. Those who have a problem will just have to learn to live with it.

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‘SCRIPTING REEL CHANGE’ AT THE 5TH ANNUAL ESSENCE HOLLYWOOD HOUSE

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Essence Hollywood House

March 8, Los Angeles—Black entertainment elite joined the next generation of media talent at the fifth annual Essence Hollywood House.

The networking event took place the day after Essence’s Black Women in Hollywood Awards, held at the Academy Museum of Motion Pictures and hosted by rapper-turned-producer Method Man. This year’s honorees included Danielle Brooks (‘The Color Purple’), Halle Bailey (‘The Little Mermaid’), and Nkechi Okoro Carroll (‘Found’).

Makeover and Headshot ‘booth’ at ESSENCE Hollywood House (Photo by Betti Halsell for Hollywood Melanin)

This year’s Hollywood House focused on ‘Scripting Reel Change.’ It provided a creative space for writers, directors, actors, producers, and other behind-the-scenes talent to explore and discuss what it means to gain traction in Hollywood and beyond. Guests received candid advice from prominent industry representatives and invaluable networking opportunities. They were given mini makeovers, followed by professional headshots, speed mentoring, and numerous intimate panel discussions.

During the “Black on Screen: A Global Dialogue” panel, Actress Phylicia Pearl Mpasi, known for ‘The Lion King’ Broadway musical, explained the different levels of self-love she went through to see herself in different spectrums of acting as a Black woman from the Democratic Republic of Congo. “I was in a space where I don’t know where I totally fit in, but I know the experience of feeling isolated and feeling like an ‘other’ is a feeling I didn’t want anyone else to feel,” Mpasi said, “I truly feel like the universe, God, gave me the Lion King so I can finally learn and embrace my Blackness.” Mpasi also recently starred in the remake of ‘The Color Purple’, playing the younger version of Fantasia Barrino’s Celie.

The discussion also touched on issues of colorism and the role of the African diaspora as a whole in the entertainment industry.

Essence Hollywood House
Barkue Tubman Zawolo, Osas Ighodaro and Phylicia Pearl Mpasi (Photo by Paras Griffin/Getty Images for ESSENCE)

This year’s theme also focused on equipping film and television communities with the essential tools needed to overcome some of the entertainment industry’s most difficult issues and reach their full potential.

During “Office Hours” (a series of expert-led workshops), a panel discussion focused on perfecting one’s pitch. Leading the conversation were noted screenwriter Tiffany Yarde (‘Roadmap Writers’) and producer D’Angela Proctor (‘The Summoning’), who discussed essential items to include in a pitch. The industry pros emphasized the importance of keeping the buyer’s attention and making sure they see the vision.

D’Angela Proctor and Tiffany Yarde (Photo by Betti Halsell for Hollywood Melanin)

Yarde dissected the elements needed for a strong elevator pitch. “The main thing you want to do is grasp the person’s attention,” she said, “The way you do that is by establishing a connection.” The Director of Competition for Roadmap Writers unpacked the value of developing connections early on in the conversation.

On the main stage, Essence’s own Stephanie Dunivan hosted a cast talkback panel that revealed an exclusive release of the first episode of “Diarra from Detroit,” a modern comedic mystery thriller that highlights dating, friendship, and possible kidnapping.

Stephanie Dunivan, Claudia Logan, DomiNque Perry, and Diarra Kilpatrick (Photo by Paras Griffin/Getty Images for ESSENCE)

Diarra Kilpatrick, the creator, showrunner, and lead actress of the show, discussed her upcoming BET series and revealed her go-to restoration techniques for keeping up with a demanding schedule.

“I’m still learning how to do that [rest]. But for me, I would say baths are like my Prozac. I love a good bath,” Kilpatrick said, “Another thing is sex. I think it’s important, as Black women, we should always put pleasure on the menu and figure out, ‘How am I giving myself pleasure…sometimes we don’t put pleasure on our to-do list.”

Essence Hollywood House
Rechelle Dennis, Zaria, Laya DeLeon Hayes and Da’Vinchi (Photo by Paras Griffin/Getty Images for ESSENCE)

The Essence Hollywood House welcomed many more notable guests, including Academy Award winner Da’Vine Randolph Joy, producer and president of Foxxhole Productions Datari Turner, and ‘BMF’ star Da’Vinchi. They discussed a multitude of industry-related topics, such as Black equity, the ins and outs of production, success stories, and what it means to be a working actor in Hollywood.

Essence partnered with BET+, Coca-Cola, Smartwater, Black Filmspace, and The Black House Foundation to make this event possible.

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Terry Crews Reveals $4000 Paycheck for ‘Friday After Next’

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Terry Cruz Club Shay Shay

In a recent episode of Club Shay Shay, the popular podcast hosted by Shannon Sharpe, actor and former NFL player Terry Crews shared a surprising revelation about his earnings for the 2002 comedy film “Friday After Next.” In the candid conversation, Crews opened up about the early days of his acting career and the challenges he faced as a struggling artist.

Terry Crews on club shay shay
Friday After Next (2002)- Ice Cube, Terry Crews, Mike Epps

Crews, who played the role of Damon Pearly in “Friday After Next,” shared that he was paid a modest sum of $4,000 for his work on the film. This revelation surprised many fans and industry insiders, as the movie grossed over $33 million at the box office. However, Crews explained that he was still relatively unknown at the time and was grateful for the opportunity to work with Ice Cube and Mike Epps. “I got my shot. I got paid maybe $4000 on ‘Friday After Next,’ he shared. “But that’s why I came up to Cube and said, ‘Thank you. Thank you. That was a start. Now, I make money now!”

During the conversation, Crews also spoke about other challenges he faced as a young actor trying to make a name for himself in Hollywood. He shared stories about working odd jobs to make ends meet and the sacrifices he made to pursue his dream of becoming an actor.

Terry Crews in Training Day (2001)

Denzel Washington’s ‘Training Day’ is another movie in which the ‘White Chicks’ star appeared. Unlike ‘Friday After Next,’ he made nothing off of that job – as he initially agreed. “I didn’t get zero [for Training Day], but it changed my life forever,” he clarified. “You wouldn’t know who I was if it weren’t for a no-paying job.”

The Club Shay Shay episode featuring Terry Crews officially aired on Wednesday, Feb. 27, and garnered significant attention on social media. You can catch up on it the full interview here.

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Lupita Nyong’o Wore a Cowrie Shells Headpiece To The Berlinale International Jury Photocall. Here is Why This is Significant.

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Lupita Nyong'o at Berlinale

During the international jury photocall on Thursday, Lupita Nyong’o was photographed wearing a grey Boss suit and a gorgeous  Lafalaise Dion cowrie shell headpiece. This was an important fashion statement. Here is why.

The Oscar-winning actress was invited to serve as this year’s head of the Berlin International Film Festival jury. She became the first Black jury president to oversee the annual film showcase event in its 74-year history. Also known as the Berlinale, the festival is one of the five largest in the world, along with the Toronto, Cannes, Venice, and Sundance film festivals.

The ‘Black Panther’ star expressed her excitement to take on the role in an Instagram post, “Let the festivities begin!” she wrote, “I’m so honored to be this year’s @berlinale Jury President and look forward to celebrating one of the things I love most: cinema!”

As the jury president, Nyong’o is expected to lead the jury in selecting the films to award in the two main categories – Golden and Silver Bears.

Film festivals continue to face criticism for lacking diversity on their juries. The Berlinale directors are moving in the right direction by bringing someone like Nyong’o on board, who is a true champion for diversity and inclusion.

Lupita Nyong'o at Berlinale Jury photocall

Nyong’o opted for a minimalist and simple Boss suit for last week’s jury photocall. She completed the look with a beautiful cowrie shell headpiece created by Côte d’Ivoire designer Dion Dewand Marcia Lafalaise, the self-crowned ‘Queen of Cowries.’ These particular shells represent wealth, prosperity, and fertility. By wearing the unique piece, the Kenyan-born and Mexican-raised star paid homage to her African roots on one of the biggest stages in the world.

Dion, who crafted the headpiece, also expressed gratitude, as her creation is now officially a part of Berlin Film Festival history. She wrote in an Instagram post

“…At this pivotal occasion, Queen Lupita Nyong’o proudly embraces her heritage, gracing the world once again with the iconic crown crafted by Lafalaise Dion.
Her journey to this moment serves as a beacon of inspiration, resonating deeply within our hearts and souls. We are humbled and honored to stand alongside her as she etches her name in the annals of cinematic history
.”

The festival is scheduled to run until February 25, when the jury announces the winning films in the major categories.

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