Josephine Baker used her life to build a brand, “her life was her stage.”
American-born dancer Josephine Baker redefined beauty as a Black entertainer in France during the roaring twenties, she created a brand around her persona and possessed control over her image. The Black Venus captured the essence of the French nightlife, with her famous banana skirt hypnotizing viewers across Europe.
She received 40,000 love letters and 2,000 marriage proposals, Baker was in high demand. Although her body was how she gathered the crowd, Baker captured their attention by her vivacious lifestyle up until her life ended on April 12, 1975. Baker made Black culture attractive, during a time where the collective community was considered unfavorable.
Born in June 1906 in St. Louis, Missori, Freda Josephine McDonald grew up in humble beginnings. She began touring with a dance group when she was 16, Baker eventually moved to New York in 1923, making her mark as one of Broadway’s Chocolate Dandies. There she became aware of her personal image and its charm on her viewers.
A couple of years passed, Baker found herself performing at the Théâtre des Champs-Élysées in France. In the La Revue Nègre, she introduced her Danse Sauvage and stole the hearts of all French men in the room, in her time of fame, her legacy went viral, spreading across the world.
Besides her curves, dance moves, and “dark skin,” the banana skirt Baker wore during her performance was provocative and brought attention to a new fetish–the rear end. The skirt would see many different renditions over a 10-year span.
Baker was fully aware of the viewer’s desire of her, she intentionally played into the “exotic” fantasy that was growing around Black culture. Her consciousness was described as having a “third eye,” by seeing herself as a brand.
She sold ‘Bakerskin;’ a skin darkening lotion and ‘Bakerfix,’ a pomade that made a lot of her wealth besides her music-hall performances. Baker played up her “exotic” role, dancing with carefully placed necklaces and pearls, causing a scene wherever she went. When reflecting on her life, one of Bakers’ sons, Jean-Paul Baker said, ” Her Life was her Stage.”
French critics would define her style as “priminitive,” Baker responded in her autobiography. She acknowledged that she was tickled by the reports about her show, “Primitive instinct? Madness of the flesh? Tumult of the senses? ‘The white imagination sure is something,’ Baker continued, “when it comes to Blacks.” Baker was painted to be seen as coming from the jungle, but the American dancer knew she was from Missouri. (Rose, Jazz Cleopatra, 81.)
The St. Louis native didn’t hide from the injustices happening domestically and internationally, she refused to perform in states that had segregated audiences, carried out espionage activity for the French resistance, and hid Jewish refugees when they were under siege. Baker received French merit, which included the Medaille de la Resistance and the Legion d’Honneur.
Baker created her own life, living in a 24-room mansion with a pet cheetah named Chiquita. She adopted 12 children, each having a different ethnic background, Baker called them her ‘Rainbow tribe.’ She created a life of her own, her legacy and political influence continue to echo in fashion and the freedom to portray sensual personas in present-day; for example, she was the inspiration behind Rihanna’s 2014 “naked dress” Riri wore during the CFDA Fashion Awards. Baker showed the real power behind female celebrities taking hold of their image and narrating their own intimate stories.
With the ‘Gladiator 2’ premiere date fast approaching, Denzel Washington has been on the road promoting the highly anticipated sequel. During one of the interviews, the actor, who stars as Macrinus in Ridley Scott’s action epic, revealed that he plans to retire once he completes a number of exciting upcoming projects, including “Black Panther 3.”
In an interview with Today on Australia’s Channel 9, which has now gone viral, Washington detailed his plan for accomplishing his retirement goals.
“At this point in my career, I am only interested in working with the best.” The 69-year-old movie legend said. “I don’t know how many more movies I’m gonna make. probably not that many. I wanna do things I haven’t done.”
“I played Othello at 22, I’m about to play Othello at 70.” He continued, “After that, I am playing Hannibal. After that I’ve been talking to Steve McQueen about a film. After that, Ryan Coogler is writing a part for me in the next “Black Panther.” After that, I’m gonna do the film “Othello.” After that, I’m gonna do “King Lear.” After that, I’m gonna retire.”
‘Gladiator II’ will be released in theaters on November 22, 2024.
Prime Video has released the trailer for “Unstoppable” starring Emmy award winner Jharrel Jerome (“When They See Us”) and Jennifer Lopez. The film, which is based on the inspiring true story about wrestling champion Anthony Robles is set hit select theaters Dec. 6 and will launch on the streamer on January 16, 2025.
“Unstoppable” official poster
“Unstoppable” tells the inspiring true story of Robles, a wrestler born with one leg who defies all odds to become a NCAA Division 1 champion. Jerome takes on the role of Robles, while Lopez plays the part of his mother, Judy Robles.
The film explores the challenges Robles faced growing up, including being born with one leg and facing rejection from his dream school, Iowa. However, with the support of his mother and his own determination, Robles rises to become a champion wrestler, ultimately winning a national championship against the school that rejected him.
The drama features an all-star ensemble cast including Jerome, Lopez, Bobby Cannavale, Michael Peña, and Don Cheadle.
Robles himself can be spotted in the film and is credited as ‘Anthony Robles Double’, performing the complex wrestling moves and stunts. He is also a producer on the film.
On October 27, the “Unstoppable” cast as well as Anthony and Judy Robles attended the special screening of the film at AFI Fest special. You can see the pics below.
According to the press release, Jharrel Jerome trained for months and worked very closely with Anthony to establish the physicality and determination required for the role.
“Unstoppable” is produced by Artists Equity, Ben Affleck and Matt Damon’s production company.
Idris Elba made a major announcement that could very well shift the Global narrative lens to Africa. The British star is planning an intercontinental move!
Known for his commanding presence on screens worldwide, from the gritty streets of Baltimore in “The Wire” to the crime-ridden alleys of London in “Luther,” Elba is now turning his sights to a much grander stage – the entire African continent.
“Much of the imagery about Africa isn’t even generated from Africa,” Elba stated at the Stellar Development Foundation’s Meridian conference earlier this month. This simple yet profound observation underscores his mission to transform the film industry in Africa, aiming to give the continent’s young, dynamic population a platform to tell their own stories.
Elba’s initiative is not just about building studios; it’s about building an ecosystem where African narratives can thrive globally. He’s not just talking the talk; he’s walking the walk, literally, by planning to relocate to Africa within the next decade. “I would certainly consider settling down here; not even consider—it’s going to happen,” he affirmed to the BBC, showcasing his commitment to being on the ground, fostering this new era of African cinema.
The actor’s vision includes the establishment of film studios in Zanzibar, where the government has pledged nearly 200 acres for development. This move, Elba believes, could be “the first building block of a global entertainment hub.” His ambition doesn’t stop at construction; he’s tackling the financial backbone of the creative industry, too. By partnering with Stellar, a blockchain-based platform, Elba is introducing the Akuna Wallet, designed to streamline payments for local creatives, especially in economies with limited banking infrastructures. “It’s all been a puzzle,” Elba admits, referring to the logistical challenges, but he remains optimistic: “It will grow, and it can grow.”
Elba’s deep roots in Africa, with his mother hailing from Ghana and his father from Sierra Leone, lend authenticity and passion to his endeavor. “If you watch any film or anything that has got to do with Africa, all you’re going to see is trauma, how we were slaves, how we were colonized, how it’s just war, and when you come to Africa, you will realize that it’s not true,” he passionately explained. This sentiment is not just about correcting a narrative but about enriching global cinema with stories of resilience, culture, beauty, and innovation.
His involvement extends beyond infrastructure. Elba is set to star and executive produce a television adaptation of Chinua Achebe’s classic “Things Fall Apart,” signaling his intent to not only support but actively participate in the storytelling from the continent. This project alone underscores his belief in the power of African literature and its potential for adaptation into visual media, which could inspire a renaissance of African storytelling.
However, this grand vision comes with its challenges. The African film industry, while burgeoning, faces hurdles like inadequate infrastructure, limited access to finance, and a need for more local cinema spaces. Yet, Elba sees these not as barriers but as “opportunities in the waiting.” His strategy involves not just building but also fostering education, partnerships, and economic models that support sustainable growth in the creative sector.
As Idris Elba strides into this new chapter, his actions speak louder than his words. His commitment to Africa’s cinematic future isn’t just about adding another successful venture to his résumé; it’s about igniting a cultural revolution that could see African stories told by Africans, influencing global audiences in ways we can only begin to imagine. Here’s to hoping that Elba’s vision will indeed turn into reality, proving once again that the universe isn’t just full of stars but also of dreamers who dare to make those stars align.