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British Academy Film and Television Awards 2021 Nominations Released
Published
3 years agoon

The British Academy Film and Television Awards sits at one of the highest honors for international film. This year, the EE BAFTAs are looking to take place April 10th and 11th, British productions will be appraised and showered with accolades.
According to the BAFTA press release, the nominations were announced March 9, honing into the projects released in the past year. There are a total of 50 feature films that were tapped for nominations.
The list from the official press release shows the following movie titles and their nominations:
- Seven nominations for Nomadland and Rocks
- Six nominations for The Father, Mank, Minari and Promising Young Woman
- Five nominations for The Dig and The Mauritanian
- Four nominations for Another Round, Calm With Horses, Judas and the Black Messiah, News of the World and Sound of Metal
- Three nominations for His House, Ma Rainey’s Black Bottom, Soul and The Trial of the Chicago 7
- Two nominations for Greyhound, Limbo, Quo Vadis, Aida?, Saint Maud and The White Tiger
- One nomination for each of the following feature films: Ammonite, Babyteeth, Borat Subsequent Moviefilm, Clemency, Collective, County Lines, Da 5 Bloods, David Attenborough: A Life on our Planet, Dear Comrades!, The Dissident, Emma., The Forty-Year-Old Version, Hillbilly Elegy, Les Misérables, The Midnight Sky, Moffie, Mogul Mowgli, Mulan, My Octopus Teacher, The One and Only Ivan, One Night in Miami…, Onward, Pieces of a Woman, Pinocchio, Rebecca, The Social Dilemma, Tenet and Wolfwalkers
- The following British short films were nominated: Eyelash, Lizard, Lucky Break, Miss Curvy, The Present, The Fire Next Time, The Owl and the Pussycat, and The Song of a Lost Boy.
Contrary to the lack of representation in the previous shows, BAFTAs 2021 is fixing to be a historical benchmark. For the first time, four women have been nominated in the Director category, while three of them also were nominated in the Film Not in the English Language category. Additionally, due to the British film community teeming with diversified work, the Outstanding British Film category was increased from six available nominations to ten.
The nominations were announced by Aisling Bea and Susan Wokoma at the Royal Albert Hall in London. Rendering a statement from the previously mentioned source, Chief Executive of BAFTA, Amanda Berry OBE stated, “The last year has seen the Covid-19 pandemic impact everyone, and the film industry is no exception.” She continued, “ …Film has always held an essential place in our culture but I think we can all agree that it has been even more important during this time. I very much look forward to celebrating the incredible talent of all our nominees on Saturday 10 and Sunday 11 April.”
The Chair of BAFTA, Krishnendu Majumdar also relished in the remarkable work behind the camera this past year. Majumdar described the nominated productions as “high-quality work.”
The category to watch is the EE Rising Star Award. The nominees were announced on March 3: Bukky Bakray, Kingsley Ben-Adir, Morfydd Clark, Ṣọpẹ Dìrísù, and Conrad Khan are on the top of the list. This award is voted in by the public and given to the actor who has shown excellent skill. The BAFTAs will be split between two shows and broadcasted virtually from London’s Royal Albert Hall, available to watch on BBC.
The nomination list shown below:
BEST FILM
THE FATHER Philippe Carcassonne, Jean-Louis Livi, David Parfitt
THE MAURITANIAN Adam Ackland, Leah Clarke, Beatriz Levin, Lloyd Levin
NOMADLAND Mollye Asher, Dan Janvey, Frances McDormand, Peter Spears, Chloé Zhao
PROMISING YOUNG WOMAN Ben Browning, Emerald Fennell, Ashley Fox, Josey McNamara
THE TRIAL OF THE CHICAGO 7 Stuart Besser, Marc Platt
OUTSTANDING BRITISH FILM
CALM WITH HORSES Nick Rowland, Daniel Emmerson, Joe Murtagh
THE DIG Simon Stone, Gabrielle Tana, Moira Buffini
THE FATHER Florian Zeller, Philippe Carcassone, Jean-Louis Livi, David Parfitt, Christopher Hampton
HIS HOUSE Remi Weekes, Martin Gentles, Edward King, Roy Lee
LIMBO Ben Sharrock, Irune Gurtubai, Angus Lamont
THE MAURITANIAN Kevin Macdonald, Adam Ackland, Leah Clarke, Beatriz Levin, Lloyd Levin, Rory Haines, Sohrab Noshirvani, M.B. Traven
MOGUL MOWGLI Bassam Tariq, Riz Ahmed, Thomas Benski, Bennett McGhee
PROMISING YOUNG WOMAN Emerald Fennell, Ben Browning, Ashley Fox, Josey McNamara
ROCKS Sarah Gavron, Ameenah Ayub Allen, Faye Ward, Theresa Ikoko, Claire Wilson
SAINT MAUD Rose Glass, Andrea Cornwell, Oliver Kassman
OUTSTANDING DEBUT BY A BRITISH WRITER, DIRECTOR OR PRODUCER
HIS HOUSE Remi Weekes (Writer/Director)
LIMBO Ben Sharrock (Writer/Director), Irune Gurtubai (Producer) [also produced by Angus Lamont]
MOFFIE Jack Sidey (Writer/Producer) [also written by Oliver Hermanus and produced by Eric Abraham]
ROCKS Theresa Ikoko, Claire Wilson (Writers)
SAINT MAUD Rose Glass (Writer/Director), Oliver Kassman (Producer) [also produced by Andrea Cornwell]
FILM NOT IN THE ENGLISH LANGUAGE
ANOTHER ROUND Thomas Vinterberg, Sisse Graum Jørgensen
DEAR COMRADES! Andrei Konchalovsky, Alisher Usmanov
LES MISÉRABLES Ladj Ly
MINARI Lee Isaac Chung, Christina Oh
QUO VADIS, AIDA? Jasmila Žbanić, Damir Ibrahimovich
DOCUMENTARY
COLLECTIVE Alexander Nanau
DAVID ATTENBOROUGH: A LIFE ON OUR PLANET Alastair Fothergill, Jonnie Hughes, Keith Scholey
THE DISSIDENT Bryan Fogel, Thor Halvorssen
MY OCTOPUS TEACHER Pippa Ehrlich, James Reed, Craig Foster
THE SOCIAL DILEMMA Jeff Orlowski, Larissa Rhodes
ANIMATED FILM
ONWARD Dan Scanlon, Kori Rae
SOUL Pete Docter, Dana Murray
WOLFWALKERS Tomm Moore, Ross Stewart, Paul Young
DIRECTOR
ANOTHER ROUND Thomas Vinterberg
BABYTEETH Shannon Murphy
MINARI Lee Isaac Chung
NOMADLAND Chloé Zhao
QUO VADIS, AIDA? Jasmila Žbanić
ROCKS Sarah Gavron
ORIGINAL SCREENPLAY
ANOTHER ROUND Tobias Lindholm, Thomas Vinterberg
MANK Jack Fincher
PROMISING YOUNG WOMAN Emerald Fennell
ROCKS Theresa Ikoko, Claire Wilson
THE TRIAL OF THE CHICAGO 7 Aaron Sorkin
ADAPTED SCREENPLAY
THE DIG Moira Buffini
THE FATHER Christopher Hampton, Florian Zeller
THE MAURITANIAN Rory Haines, Sohrab Noshirvani, M.B. Traven
NOMADLAND Chloé Zhao
THE WHITE TIGER Ramin Bahrani
LEADING ACTRESS
BUKKY BAKRAY Rocks
RADHA BLANK The Forty-Year-Old Version
VANESSA KIRBY Pieces of a Woman
FRANCES McDORMAND Nomadland
WUNMI MOSAKU His House
ALFRE WOODARD Clemency
LEADING ACTOR
RIZ AHMED Sound of Metal
CHADWICK BOSEMAN Ma Rainey’s Black Bottom
ADARSH GOURAV The White Tiger
ANTHONY HOPKINS The Father
MADS MIKKELSEN Another Round
TAHAR RAHIM The Mauritanian
SUPPORTING ACTRESS
NIAMH ALGAR Calm With Horses
KOSAR ALI Rocks
MARIA BAKALOVA Borat Subsequent Moviefilm
DOMINIQUE FISHBACK Judas and the Black Messiah
ASHLEY MADEKWE County Lines
YUH-JUNG YOUN Minari
SUPPORTING ACTOR
DANIEL KALUUYA Judas and the Black Messiah
BARRY KEOGHAN Calm With Horses
ALAN KIM Minari
LESLIE ODOM JR. One Night in Miami…
CLARKE PETERS Da 5 Bloods
PAUL RACI Sound of Metal
ORIGINAL SCORE
MANK Trent Reznor, Atticus Ross
MINARI Emile Mosseri
NEWS OF THE WORLD James Newton Howard
PROMISING YOUNG WOMAN Anthony Willis
SOUL Jon Batiste, Trent Reznor, Atticus Ross
CASTING
CALM WITH HORSES Shaheen Baig
JUDAS AND THE BLACK MESSIAH Alexa L. Fogel
MINARI Julia Kim
PROMISING YOUNG WOMAN Lindsay Graham Ahanonu, Mary Vernieu
ROCKS Lucy Pardee
CINEMATOGRAPHY
JUDAS AND THE BLACK MESSIAH Sean Bobbitt
MANK Erik Messerschmidt
THE MAURITANIAN Alwin H. Küchler
NEWS OF THE WORLD Dariusz Wolski
NOMADLAND Joshua James Richards
EDITING
THE FATHER Yorgos Lamprinos
NOMADLAND Chloé Zhao
PROMISING YOUNG WOMAN Frédéric Thoraval
SOUND OF METAL Mikkel E.G. Nielsen
THE TRIAL OF THE CHICAGO 7 Alan Baumgarten
PRODUCTION DESIGN
THE DIG Maria Djurkovic, Tatiana Macdonald
THE FATHER Peter Francis, Cathy Featherstone
MANK Donald Graham Burt, Jan Pascale
NEWS OF THE WORLD David Crank, Elizabeth Keenan
REBECCA Sarah Greenwood, Katie Spencer
COSTUME DESIGN
AMMONITE Michael O’Connor
THE DIG Alice Babidge
EMMA. Alexandra Byrne
MA RAINEY’S BLACK BOTTOM Ann Roth
MANK Trish Summerville
MAKE UP & HAIR
THE DIG Jenny Shircore
HILLBILLY ELEGY Patricia Dehaney, Eryn Krueger Mekash, Matthew Mungle
MA RAINEY’S BLACK BOTTOM Matiki Anoff, Larry M. Cherry, Sergio Lopez-Rivera, Mia Neal
MANK Kimberley Spiteri, Gigi Williams
PINOCCHIO Mark Coulier
SOUND
GREYHOUND Beau Borders, Christian P. Minkler, Michael Minkler, Warren Shaw, David Wyman
NEWS OF THE WORLD Michael Fentum, William Miller, Mike Prestwood Smith, John Pritchett, Oliver Tarney
NOMADLAND Sergio Diaz, Zach Seivers, M. Wolf Snyder
SOUL Coya Elliott, Ren Klyce, David Parker
SOUND OF METAL Jaime Baksht, Nicolas Becker, Phillip Bladh, Carlos Cortés, Michelle Couttolenc
SPECIAL VISUAL EFFECTS
GREYHOUND Pete Bebb, Nathan McGuinness, Sebastian von Overheidt
THE MIDNIGHT SKY Matt Kasmir, Chris Lawrence, David Watkins
MULAN Sean Faden, Steve Ingram, Anders Langlands, Seth Maury
THE ONE AND ONLY IVAN Santiago Colomo Martinez, Nick Davis, Greg Fisher, Ben Jones
TENET Scott Fisher, Andrew Jackson, Andrew Lockley
BRITISH SHORT ANIMATION
THE FIRE NEXT TIME Renaldho Pelle, Yanling Wang, Kerry Jade Kolbe
THE OWL AND THE PUSSYCAT Mole Hill, Laura Duncalf
THE SONG OF A LOST BOY Daniel Quirke, Jamie MacDonald, Brid Arnstein
BRITISH SHORT FILM
EYELASH Jesse Lewis Reece, Ike Newman
LIZARD Akinola Davies, Rachel Dargavel, Wale Davies
LUCKY BREAK John Addis, Rami Sarras Pantoja
MISS CURVY Ghada Eldemellawy
THE PRESENT Farah Nabulsi
EE RISING STAR AWARD
BUKKY BAKRAY
CONRAD KHAN
KINGSLEY BEN-ADIR
MORFYDD CLARK
ṢỌPẸ DÌRÍSÙ
Free to use images from BAFTA- A small selection of free-to-use imagery is available at https://bafta.thirdlight.com/link/BAFTAPressImages/ with a wider selection available at Rex/Shutterstock
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The studio has faced criticism for hiring non-white actors to portray roles depicted in Disney cartoons as white for its live-action remakes.
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This year, Disney is gearing up to release live-action remakes of ‘The Little Mermaid’ and ‘Peter Pan.’ Each will feature a Black actor playing a fictional character originally portrayed by a white actor. Halle Bailey, a Black actress and singer, is set to portray the beloved red-haired, fish-tailed under-the-sea princess Ariel. Yara Shahidi, a daughter of an Iranian father and an African-American mother, will star as Peter Pan’s most trusted fairy friend Tinkerbell. Both movies are scheduled to be released in the next two months.
The casting decisions came with backlash from a vast number of Twitter and Redditt users, who claim – “blackwashing” childhood characters (i.e., taking an originally white character and making them a person of color) will not solve the lack of inclusivity in Hollywood. But is that really why they so passionately stand against it? The negative attention on Little Mermaid and Tinker Bell has also fueled great support from other fans who view such anger as racist behavior. “Those opposed to diversity on screen are the ones fighting it in real life,” one Twitter user wrote. Rob Marshall, who directs the upcoming Little Mermaid remake, admitted he was caught off guard by some of the negative responses that came with casting Bailey. “I wasn’t anticipating that because, in a way, I felt like we’ve moved so far past that kind of thing.” He also insisted there was no agenda in Disney’s decision to hire the 22-year-old, “We just were looking for the best
actor for the role, period. The end,” he told Entertainment Weekly. “We saw everybody and every ethnicity. The goal was to find someone who can be incredibly strong, passionate, beautiful, smart, clever, and with a great deal of fire and joy,” Marshall explained.
For a few years now, Disney, among other media companies, has made an effort to
redeem itself from a century-long history of producing controversial movies and
animated films (‘Song of the South,’ ‘Dumbo, ‘The Aristocrats”), some of which have been deemed racist or ‘culturally outdated’ as Disney conveniently describes it. Most recently, in the midst of the COVID-19 pandemic, the company announced a diversity and inclusion program ‘Reimagine Tomorrow,’ that is committed to “amplifying underrepresented voices and untold stories as well as championing the importance of accurate representation in media and entertainment.” Casting more people of color could count as a way to honor their commitment, but is changing the ethnicity of established characters the best solution? Some argue that it could be. Several previously released remakes that followed this model have done well, despite surrounding controversy.

Rodgers and Hammerstein’s Cinderella cast/ Disney
In 1997, Disney released Rodgers and Hammerstein’s Cinderella, a reimagining of the famed tale. It did not just have a non-white main cast but also received a budget of $12 million, which ranked it among the most expensive television films ever made. The remake featured Brandy, an African-American actor/singer, as Cinderella, the late Whitney Houston as Fairy Godmother, Paulo Montalban, an Asian actor as Prince Christopher, and Victor Garber and Whoopi Goldberg as the king and queen. Although the non-traditional reiteration of the Disney story received mixed reviews from critics, it was met with a lot of praise, specifically from the Black community. “This Cinderella remake is such a beautiful, magical gem of a movie filled with a multiracial cast, and I can’t believe it came out in 1997! Talk about progressive!” a review on IMDb reads. “I think this live-action Cinderella movie is my most favorite. I love the songs and the comedy. Most of the actors are familiar. This movie also teaches us that no matter what we look like, black, white, Asian, we are all the same,” another fan wrote in his five-star review.
Most recently, Disney doubled down on casting non-white actors to star in their remakes. Aside from the aforementioned ‘Little Mermaid’ and ‘Peter Pan’ films, Rachel Zegler, a Latina actress, was cast to play Snow White in a movie scheduled to be released in 2024. Disney’s ‘Wonder Years’ reboot features an all-Black main cast. Zendaya plays MJ in the new Spider-Man movies. And that’s not just with Disney. Amazon Prime Video recently cast Afro-Latino actor Ismael Cruz Córdova to play Arondir, a Silvan elf, in ‘The Lord of the Rings: The Rings of Power.’ The reimagining of ‘The West Side Story’ featured Latino actors in leading roles. Almost every casting announcement caused a social media stir.

Rachel Zegler spotted on the set of ‘Snow White’
But why remake in the first place? According to Dr. Matthew Jones, Film Studies lecturer at De Montfort University in Leicester, “Remake and reboot culture is not new. It’s often framed as something novel and unique to our postmodern times, but there is actually a rich tradition of remakes in Western film culture,” he told Cosmopolitan. So why are they still being made? The answer is fairly simple – remakes are a safe financial bet. Studios capitalize on people’s nostalgia and the connections they already have with their favorite characters. “The most secure option for studios is always going to be something we call a ‘pre-sold property,’ Dr. Jones continued, “meaning films with pre-existing fan audiences. And what types of films have fan audiences before they are even released? Remakes, reboots, and sequels do, precisely because they are already properties familiar to audiences and which some people will feel an emotional attachment to already.”
Those opposed to Disney’s casting decisions to ‘race swap’ insist the company should focus on creating original characters and storylines instead of reimagining the ones they have become so accustomed to. “Another remake! Did Hollywood run out of ideas?” One Reddit user asked. “Disney is only changing the race/ethnicity of characters in live-action remakes to spark controversy and get more people talking about the movie rather than trying to bring minorities to light as protagonists,” another speculated. However, it’s no secret that the United States has a long and dark history of racial discrimination and injustice. So, when minority groups are shown outside of the tired, stereotypical roles or, furthermore, play roles that are considered “traditionally” white – it implies a change that some simply don’t want to accept.
Indeed, Disney had succeeded in the past in introducing original non-white animated characters such as Mulan (the live-action version was released in 2020), Tiana in ‘Princess and the Frog’ (the remake is currently in the works), Moana, and most recently, the family of ‘Encanto.’ But original content inevitably means more resources spent, and with remakes that deliver guaranteed financial gains and casting decisions that bring attention (positive or negative), studios seem to achieve desirable results still. Additionally, the cultural and racial diversification of Disney’s fan base and the pressure to acknowledge and show more of those faces on the screen pushes the company to do just that. So the main question remains – does Hollywood genuinely cares about inclusivity, or is it just adjusting for the sake of profits? No matter the answer, one thing is clear – Disney is not going anywhere any time soon, and neither are the Black, Asian, Latino, and other non-white people across the globe. Those who have a problem will just have to learn to live with it.
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