Connect with us

News

Exclusive: ‘Luke Cage’s Production Designer Toni Barton Talks Creating Alternate Reality Through Set Design

by Betti Halsell

Published

on

When dissecting a cinematic body of work, one would cut into formations of people who create an alternate reality. The script works as the spine, keeping the structure of a project together, and the production designer heads the impetus of the written reality.  

Production designer Toni Barton constructed environments that pull the audience into the story. Her transformative abilities have been featured on television, film, and theatre sets. Barton has curated the atmosphere for Marvel’s Jessica Jones, Dare Devil, and Netflix’s Luke Cage series, to name a few.  

We conducted an exclusive interview with the scenic visionary, discussing her journey, passion, and the mindset needed to pursue this career path.

“Everything starts with the written word; there would be no need for design if there was no script,” Barton said, reflecting on the significance of a written outline of a scene. She elaborated on different aspects of filmmaking, calling it a “collaborative effort.”

A production designer absorbs the idea of where a story occurs, takes the proposed setting, and interprets it into physical placement. The painting in one’s mind formulates into the physical world. The seamless performance of a film or play is held together by the set, which the production designer cultivates. Barton developed an eye for what sits in the background and provided a window into what she sees.

Breaking down the process of taking the narrative and breathing life into it, Barton starts with absorbing the scene from reading the script and then diving into the research. After gathering the bones of the project, the architecture can begin. Barton oversees the role of art, sets the direction to build out these worlds, and shares creative synergy with the production’s buyers, graphic designers, illustrators, and many more to tell the given story.

Barton’s introduction to her future career path started on the University of Southern California (USC) campus, where she pursued her degree in architecture. While in school, her friends would call on her to capture scenes of their plays and short films.

 After earning her degree at USC, she looked for specialized theatre training at New York University (NYU), entering a graduate program in set design and art direction. Barton honed her skills to create sceneries for stage and film production.

By her third union film as an assistant art director, Barton’s skills and confidence matured. She worked with veterans of the business, and they took Barton under their tutelage. With real-time hands-on experience, they shaped the rising creative to become the profound designer she is today.

According to Barton, a production designer’s role calls for interest in fashion, art history, and architecture, “Understanding history and helping to tell that story helps us build character, so anybody interested in any aspect of history, sociology, architecture, art, fashion and […] how to tell a story, would potentially be interested in this and more importantly have that skill set to then tell that story.”   

Barton reflected on a moment in her early career development when a friend told her, “when you become a production designer—that’s when you will really make it.” Barton responded with the reassurance that she was exactly where she needed to be at that time – an assistant art director. She owned her current placement, taking the first steps into her journey. Eventually, Barton went from being an assistant art director to becoming an art director while simultaneously teaching at NYU. Later, through her accumulated experience, she became a production designer.  

Getting to that final point takes time, and not everyone understands or is prepared for it, “People think when you get out of school, you have to instantaneously have this title, or you’re not making it.” On the contrary, Barton said, the beginning stages of one’s career are rich with people who are experts, willing to garnish a young mind with wisdom to build a force around their talent.

Passing the torch, in conjunction with being an art director, Barton taught theatre design at NYU for 18 years. “By far, that has been the most rewarding thing I could ever say and do,” she said. The production designer continued to explain the passion of being an art designer while taking it to an academic setting. Her hope is for younger students to identify this as a viable career and be drawn to the scenic route, especially students of color. “I desire more people to know about it younger, in essence, to know every single aspect of design,” she concluded.

Continue Reading
Advertisement
Click to comment

Leave a Reply

Your email address will not be published. Required fields are marked *

News

Denzel Washington Talks ‘Black Panther 3’ and Retirement

Published

on

With the ‘Gladiator 2’ premiere date fast approaching, Denzel Washington has been on the road promoting the highly anticipated sequel. During one of the interviews, the actor, who stars as Macrinus in Ridley Scott’s action epic, revealed that he plans to retire once he completes a number of exciting upcoming projects, including “Black Panther 3.”

Denzel Washington as Macrinus in “Gladiator II”

In an interview with Today on Australia’s Channel 9, which has now gone viral, Washington detailed his plan for accomplishing his retirement goals.

“At this point in my career, I am only interested in working with the best.” The 69-year-old movie legend said. “I don’t know how many more movies I’m gonna make. probably not that many. I wanna do things I haven’t done.”

“I played Othello at 22, I’m about to play Othello at 70.” He continued, “After that, I am playing Hannibal. After that I’ve been talking to Steve McQueen about a film. After that, Ryan Coogler is writing a part for me in the next “Black Panther.” After that, I’m gonna do the film “Othello.” After that, I’m gonna do “King Lear.” After that, I’m gonna retire.”

‘Gladiator II’ will be released in theaters on November 22, 2024. 

Continue Reading

Film

‘Unstoppable’ Starring Jharrel Jerome and Jennifer Lopez (Trailer)

Published

on

Unstoppable

Prime Video has released the trailer for “Unstoppable” starring Emmy award winner Jharrel Jerome (“When They See Us”) and Jennifer Lopez. The film, which is based on the inspiring true story about wrestling champion Anthony Robles is set hit select theaters Dec. 6 and will launch on the streamer on January 16, 2025.

“Unstoppable” official poster

“Unstoppable” tells the inspiring true story of Robles, a wrestler born with one leg who defies all odds to become a NCAA Division 1 champion. Jerome takes on the role of Robles, while Lopez plays the part of his mother, Judy Robles.

The film explores the challenges Robles faced growing up, including being born with one leg and facing rejection from his dream school, Iowa. However, with the support of his mother and his own determination, Robles rises to become a champion wrestler, ultimately winning a national championship against the school that rejected him.

The drama features an all-star ensemble cast including Jerome, Lopez, Bobby Cannavale, Michael Peña, and Don Cheadle.

Robles himself can be spotted in the film and is credited as ‘Anthony Robles Double’, performing the complex wrestling moves and stunts. He is also a producer on the film.

On October 27, the “Unstoppable” cast as well as Anthony and Judy Robles attended the special screening of the film at AFI Fest special. You can see the pics below.

According to the press release, Jharrel Jerome trained for months and worked very closely with Anthony to establish the physicality and determination required for the role.

“Unstoppable” is produced by Artists Equity, Ben Affleck and Matt Damon’s production company.

Continue Reading

Film

Idris Elba Plans A Move To Africa To “Bolster” Their Film Industry

Published

on

Idris Elba

Idris Elba made a major announcement that could very well shift the Global narrative lens to Africa. The British star is planning an intercontinental move!

Known for his commanding presence on screens worldwide, from the gritty streets of Baltimore in “The Wire” to the crime-ridden alleys of London in “Luther,” Elba is now turning his sights to a much grander stage – the entire African continent.

“Much of the imagery about Africa isn’t even generated from Africa,” Elba stated at the Stellar Development Foundation’s Meridian conference earlier this month. This simple yet profound observation underscores his mission to transform the film industry in Africa, aiming to give the continent’s young, dynamic population a platform to tell their own stories.

Idris Elba meets with President of Ghana, Nana Akufo-Addo 

Elba’s initiative is not just about building studios; it’s about building an ecosystem where African narratives can thrive globally. He’s not just talking the talk; he’s walking the walk, literally, by planning to relocate to Africa within the next decade. “I would certainly consider settling down here; not even consider—it’s going to happen,” he affirmed to the BBC, showcasing his commitment to being on the ground, fostering this new era of African cinema.

The actor’s vision includes the establishment of film studios in Zanzibar, where the government has pledged nearly 200 acres for development. This move, Elba believes, could be “the first building block of a global entertainment hub.” His ambition doesn’t stop at construction; he’s tackling the financial backbone of the creative industry, too. By partnering with Stellar, a blockchain-based platform, Elba is introducing the Akuna Wallet, designed to streamline payments for local creatives, especially in economies with limited banking infrastructures. “It’s all been a puzzle,” Elba admits, referring to the logistical challenges, but he remains optimistic: “It will grow, and it can grow.”

Elba’s deep roots in Africa, with his mother hailing from Ghana and his father from Sierra Leone, lend authenticity and passion to his endeavor. “If you watch any film or anything that has got to do with Africa, all you’re going to see is trauma, how we were slaves, how we were colonized, how it’s just war, and when you come to Africa, you will realize that it’s not true,” he passionately explained. This sentiment is not just about correcting a narrative but about enriching global cinema with stories of resilience, culture, beauty, and innovation.

Idris Elba and wife Sabrina Dhowre in Rwanda

His involvement extends beyond infrastructure. Elba is set to star and executive produce a television adaptation of Chinua Achebe’s classic “Things Fall Apart,” signaling his intent to not only support but actively participate in the storytelling from the continent. This project alone underscores his belief in the power of African literature and its potential for adaptation into visual media, which could inspire a renaissance of African storytelling.

However, this grand vision comes with its challenges. The African film industry, while burgeoning, faces hurdles like inadequate infrastructure, limited access to finance, and a need for more local cinema spaces. Yet, Elba sees these not as barriers but as “opportunities in the waiting.” His strategy involves not just building but also fostering education, partnerships, and economic models that support sustainable growth in the creative sector.

As Idris Elba strides into this new chapter, his actions speak louder than his words. His commitment to Africa’s cinematic future isn’t just about adding another successful venture to his résumé; it’s about igniting a cultural revolution that could see African stories told by Africans, influencing global audiences in ways we can only begin to imagine. Here’s to hoping that Elba’s vision will indeed turn into reality, proving once again that the universe isn’t just full of stars but also of dreamers who dare to make those stars align.

Continue Reading

Trending

Copyright © 2024 Hollywood Melanin