Little Fires Everywhere is based on a novel written by Celeste Ng that follows the lives of residents in the suburbs of Shaker Heights, Ohio in the 90s. Bill and Elena Richardson (Reese Witherspoon and Joshua Jackson) are longtime residents of the community and are the parents of 4 teenagers who are all on the path to self-discovery. The Richardson’s have a tight family unit and are doing their best to raise healthy, ambitious, generous and well-rounded children. Elena is having a hard time with her younger daughter Izzy (Megan Stott) who is clearly going through a rebellious stage so the two of them are in constant disagreement.
Elena is a suburban upper-class mom who is pretty uptight and wants control of her family and her image. She seems to have the Richardson kids’ lives already planned out for their successful future. Elena is a perfectionist, a quality that doesn’t really work in her favor with her kids because she’s judgmental and intimidating. The family inherited a rental property and that is when she meets single mother Mia Warren (Kerry Washington) and her intelligent teenage daughter Pearl Warren (Lexi Underwood). Mia a traveling artist and her daughter have been living in their car and responded to an ad for Elena’s rental. Upon their first meeting, Mia has her guard up with Elena and there is tension between the two. Mia is put off by Elena’s invasive and privileged tone during their first conversation.
Elena seems totally unaware of how uncomfortable and unwelcome this makes Mia. Despite their bumpy start the Warren’s move into the rental property. Pearl immediately adapts to her new environment after she meets Moody, one of Richardson’s sons (Gavin Lewis). The two teenagers are attracted to each other and start spending a lot of time together. Hanging out with the Richardsons somewhat opens Pearl’s eyes to a whole new world. Although there are racial and economic differences between their two worlds, the teenagers still develop a friendship. Pearl also learns that she and Elena have a common interest – writing and journalism. Mia doesn’t approve of Pearl’s friendly relationships with the Richardsons but doesn’t express this to her daughter immediately.
The series takes a deep dive into classism and racism. For instance, Pearl, after spending more time with the Richardsons, realizes just how underprivileged her life has been. She has had to constantly move around. Because of her mother, she has never really had a nice stable place to live, she has never met her father and her school counselor won’t consider placing her in the correct math class at her new school because of her race. Instead of taking her mother Mia’s advice on standing up to her counselor, Pearl asks Elena for help to get enrolled in the correct math class. After a quick conversation with the counselor, Elena (much thanks to her race and status) easily gets Pearl in. When Mia starts working for the Richardsons as their “house manager”, Pearl seems to be surprised, ashamed and uncomfortable that her black mom is now working for this white family that she is trying to build new relationships with. This only further magnifies the differences between the two families. After Mia becomes Elena’s house manager, the two of them get to know each other a little better. Mia, however, is still very guarded with the new family and keeps her distance.
At the end of the three-episode premiere, Mia remains a mystery. Even in her relationship with her daughter Pearl, she is keeping a secret. Pearl has never met her father and her mother refuses to identify him. This is extremely frustrating for Pearl and leaves audiences wondering what exactly is Mia hiding?
Mia is not the only one with secrets. Each character is hiding something and those secrets have yet to come to light. The suspense of how the stories unfold makes the audience crave more. Little Fires Everywhere is a captivating, stimulating drama with an amazing cast that keeps audiences on the edge of their seats. New episodes are available every Wednesday on Hulu.
With the ‘Gladiator 2’ premiere date fast approaching, Denzel Washington has been on the road promoting the highly anticipated sequel. During one of the interviews, the actor, who stars as Macrinus in Ridley Scott’s action epic, revealed that he plans to retire once he completes a number of exciting upcoming projects, including “Black Panther 3.”
In an interview with Today on Australia’s Channel 9, which has now gone viral, Washington detailed his plan for accomplishing his retirement goals.
“At this point in my career, I am only interested in working with the best.” The 69-year-old movie legend said. “I don’t know how many more movies I’m gonna make. probably not that many. I wanna do things I haven’t done.”
“I played Othello at 22, I’m about to play Othello at 70.” He continued, “After that, I am playing Hannibal. After that I’ve been talking to Steve McQueen about a film. After that, Ryan Coogler is writing a part for me in the next “Black Panther.” After that, I’m gonna do the film “Othello.” After that, I’m gonna do “King Lear.” After that, I’m gonna retire.”
‘Gladiator II’ will be released in theaters on November 22, 2024.
Prime Video has released the trailer for “Unstoppable” starring Emmy award winner Jharrel Jerome (“When They See Us”) and Jennifer Lopez. The film, which is based on the inspiring true story about wrestling champion Anthony Robles is set hit select theaters Dec. 6 and will launch on the streamer on January 16, 2025.
“Unstoppable” official poster
“Unstoppable” tells the inspiring true story of Robles, a wrestler born with one leg who defies all odds to become a NCAA Division 1 champion. Jerome takes on the role of Robles, while Lopez plays the part of his mother, Judy Robles.
The film explores the challenges Robles faced growing up, including being born with one leg and facing rejection from his dream school, Iowa. However, with the support of his mother and his own determination, Robles rises to become a champion wrestler, ultimately winning a national championship against the school that rejected him.
The drama features an all-star ensemble cast including Jerome, Lopez, Bobby Cannavale, Michael Peña, and Don Cheadle.
Robles himself can be spotted in the film and is credited as ‘Anthony Robles Double’, performing the complex wrestling moves and stunts. He is also a producer on the film.
On October 27, the “Unstoppable” cast as well as Anthony and Judy Robles attended the special screening of the film at AFI Fest special. You can see the pics below.
According to the press release, Jharrel Jerome trained for months and worked very closely with Anthony to establish the physicality and determination required for the role.
“Unstoppable” is produced by Artists Equity, Ben Affleck and Matt Damon’s production company.
Idris Elba made a major announcement that could very well shift the Global narrative lens to Africa. The British star is planning an intercontinental move!
Known for his commanding presence on screens worldwide, from the gritty streets of Baltimore in “The Wire” to the crime-ridden alleys of London in “Luther,” Elba is now turning his sights to a much grander stage – the entire African continent.
“Much of the imagery about Africa isn’t even generated from Africa,” Elba stated at the Stellar Development Foundation’s Meridian conference earlier this month. This simple yet profound observation underscores his mission to transform the film industry in Africa, aiming to give the continent’s young, dynamic population a platform to tell their own stories.
Elba’s initiative is not just about building studios; it’s about building an ecosystem where African narratives can thrive globally. He’s not just talking the talk; he’s walking the walk, literally, by planning to relocate to Africa within the next decade. “I would certainly consider settling down here; not even consider—it’s going to happen,” he affirmed to the BBC, showcasing his commitment to being on the ground, fostering this new era of African cinema.
The actor’s vision includes the establishment of film studios in Zanzibar, where the government has pledged nearly 200 acres for development. This move, Elba believes, could be “the first building block of a global entertainment hub.” His ambition doesn’t stop at construction; he’s tackling the financial backbone of the creative industry, too. By partnering with Stellar, a blockchain-based platform, Elba is introducing the Akuna Wallet, designed to streamline payments for local creatives, especially in economies with limited banking infrastructures. “It’s all been a puzzle,” Elba admits, referring to the logistical challenges, but he remains optimistic: “It will grow, and it can grow.”
Elba’s deep roots in Africa, with his mother hailing from Ghana and his father from Sierra Leone, lend authenticity and passion to his endeavor. “If you watch any film or anything that has got to do with Africa, all you’re going to see is trauma, how we were slaves, how we were colonized, how it’s just war, and when you come to Africa, you will realize that it’s not true,” he passionately explained. This sentiment is not just about correcting a narrative but about enriching global cinema with stories of resilience, culture, beauty, and innovation.
His involvement extends beyond infrastructure. Elba is set to star and executive produce a television adaptation of Chinua Achebe’s classic “Things Fall Apart,” signaling his intent to not only support but actively participate in the storytelling from the continent. This project alone underscores his belief in the power of African literature and its potential for adaptation into visual media, which could inspire a renaissance of African storytelling.
However, this grand vision comes with its challenges. The African film industry, while burgeoning, faces hurdles like inadequate infrastructure, limited access to finance, and a need for more local cinema spaces. Yet, Elba sees these not as barriers but as “opportunities in the waiting.” His strategy involves not just building but also fostering education, partnerships, and economic models that support sustainable growth in the creative sector.
As Idris Elba strides into this new chapter, his actions speak louder than his words. His commitment to Africa’s cinematic future isn’t just about adding another successful venture to his résumé; it’s about igniting a cultural revolution that could see African stories told by Africans, influencing global audiences in ways we can only begin to imagine. Here’s to hoping that Elba’s vision will indeed turn into reality, proving once again that the universe isn’t just full of stars but also of dreamers who dare to make those stars align.