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Dominique Fishback Talks ‘Judas and the Black Messiah’ and Her One-Woman Play ‘Subverted’

by Betti Halsell

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Creativity comes from within. Rising actress and writer Dominique Fishback is relishing in her newfound space of alignment. Her performances have shown the depth of her manifestations. During our conversation, the New York native shared a personal view of her journey blossoming in the entertainment industry and explained how what one may internalize eventually manifests externally. 

“Everybody is super excited about the movie…” Fishback said she received overwhelming support for her role as Deborah Johnson in the recently released Judas and the Black Messiah

The movie is a historical drama based on the life of Black Panther leader of the Illinois Chapter, Chairman Fred Hampton. Fishback plays a distinguished character, his fiance and fellow activist, highlighting the significance of Black women involved in the dawning of the civil rights movement.

Johnson, also known as Mother Akua, sat with Fishback and gave her deep praise for the uncanny portrayal. The actress looked back to that day of acknowledgment and said, “…It was a complete love fest that we had, and I couldn’t believe that this was actually happening–since I was in college learning about the Black Panther party, I always cared, and I always held them in high regard…” She went to explain her personal embodiment of the organization and what they stand for. 

Dominique Fishback and Daniel Kaluuya, Judas and the Black Messiah

As Fishback swims deeper into her acting range, the people around her continue to show genuine support. She shared a story of her loved ones pouring into her after a private screening of the movie. One moment that stuck out to her was when her friend noted that the rising star is always present in all of the roles that she takes on. 

The actress also shows her creativity through her writing. She spoke about her one-woman play titled Subverted, her thesis project to graduate from Pace University. The playwright talked about the diversity within her classroom or the lack thereof – she was usually the only Black person. This caused a lack of understanding from her peers. Rearing into a debate that broke out in one of her sociology classes, a student said if Black men wore “normal clothes,” they wouldn’t get stopped by the police. This sparked the 22-character role Fishback took on with the mission to widen the perspective among the narrow minds like the one she encountered in her class. 

With all the resources offered at her university, the final production got great feedback, and with her first debut, she was able to pack up a theatre during a movie festival. Subverted is looking to be brought to a grander audience, to voice a wider perspective for everyone to hear. 

Fishback touched on the frustrations of being a creative soul going through life and watching others achieve their dreams while still being on ground zero of one’s career. In a Facebook post from ten years ago, she recalls describing her stress of watching people in previews when she wanted to be there. Now, in retrospect, she talks about the power of alignment and what it means to be in full control of one’s destiny. 

“God could’ve given it to me sooner, but I wasn’t in the place for it.” She went on to elaborate on the need for personal growth and self-examination of the energy that surrounds one’s life, “… I’m thankful for learning how to remove ego and appreciate things a little bit more.” 

God could’ve given it to me sooner, but I wasn’t in the place for it

The actress discussed her gift for gratitude and always staying humble through her faith, “…I feel like inside, I have happiness, and the outside is matching.” She also reflected on her mental state before she focused on her greater alignment to life, “I would book something, and it would be an amazing opportunity, but I would still be sad.” She described sitting with herself and those feelings, asking herself why she felt sad even when she was seemingly on the right path. 

Fishback unearthed the complexities of her journey through meditation, journaling, and reflecting. That is when she realized the process is just as important as the reward. She gives herself the time to meditate and find what she needs to bring out from within. Watch Fishback in Judas and the Black Messiah, now streaming on HBO Max. 

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Denzel Washington Talks ‘Black Panther 3’ and Retirement

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With the ‘Gladiator 2’ premiere date fast approaching, Denzel Washington has been on the road promoting the highly anticipated sequel. During one of the interviews, the actor, who stars as Macrinus in Ridley Scott’s action epic, revealed that he plans to retire once he completes a number of exciting upcoming projects, including “Black Panther 3.”

Denzel Washington as Macrinus in “Gladiator II”

In an interview with Today on Australia’s Channel 9, which has now gone viral, Washington detailed his plan for accomplishing his retirement goals.

“At this point in my career, I am only interested in working with the best.” The 69-year-old movie legend said. “I don’t know how many more movies I’m gonna make. probably not that many. I wanna do things I haven’t done.”

“I played Othello at 22, I’m about to play Othello at 70.” He continued, “After that, I am playing Hannibal. After that I’ve been talking to Steve McQueen about a film. After that, Ryan Coogler is writing a part for me in the next “Black Panther.” After that, I’m gonna do the film “Othello.” After that, I’m gonna do “King Lear.” After that, I’m gonna retire.”

‘Gladiator II’ will be released in theaters on November 22, 2024. 

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‘Unstoppable’ Starring Jharrel Jerome and Jennifer Lopez (Trailer)

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Unstoppable

Prime Video has released the trailer for “Unstoppable” starring Emmy award winner Jharrel Jerome (“When They See Us”) and Jennifer Lopez. The film, which is based on the inspiring true story about wrestling champion Anthony Robles is set hit select theaters Dec. 6 and will launch on the streamer on January 16, 2025.

“Unstoppable” official poster

“Unstoppable” tells the inspiring true story of Robles, a wrestler born with one leg who defies all odds to become a NCAA Division 1 champion. Jerome takes on the role of Robles, while Lopez plays the part of his mother, Judy Robles.

The film explores the challenges Robles faced growing up, including being born with one leg and facing rejection from his dream school, Iowa. However, with the support of his mother and his own determination, Robles rises to become a champion wrestler, ultimately winning a national championship against the school that rejected him.

The drama features an all-star ensemble cast including Jerome, Lopez, Bobby Cannavale, Michael Peña, and Don Cheadle.

Robles himself can be spotted in the film and is credited as ‘Anthony Robles Double’, performing the complex wrestling moves and stunts. He is also a producer on the film.

On October 27, the “Unstoppable” cast as well as Anthony and Judy Robles attended the special screening of the film at AFI Fest special. You can see the pics below.

According to the press release, Jharrel Jerome trained for months and worked very closely with Anthony to establish the physicality and determination required for the role.

“Unstoppable” is produced by Artists Equity, Ben Affleck and Matt Damon’s production company.

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Idris Elba Plans A Move To Africa To “Bolster” Their Film Industry

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Idris Elba

Idris Elba made a major announcement that could very well shift the Global narrative lens to Africa. The British star is planning an intercontinental move!

Known for his commanding presence on screens worldwide, from the gritty streets of Baltimore in “The Wire” to the crime-ridden alleys of London in “Luther,” Elba is now turning his sights to a much grander stage – the entire African continent.

“Much of the imagery about Africa isn’t even generated from Africa,” Elba stated at the Stellar Development Foundation’s Meridian conference earlier this month. This simple yet profound observation underscores his mission to transform the film industry in Africa, aiming to give the continent’s young, dynamic population a platform to tell their own stories.

Idris Elba meets with President of Ghana, Nana Akufo-Addo 

Elba’s initiative is not just about building studios; it’s about building an ecosystem where African narratives can thrive globally. He’s not just talking the talk; he’s walking the walk, literally, by planning to relocate to Africa within the next decade. “I would certainly consider settling down here; not even consider—it’s going to happen,” he affirmed to the BBC, showcasing his commitment to being on the ground, fostering this new era of African cinema.

The actor’s vision includes the establishment of film studios in Zanzibar, where the government has pledged nearly 200 acres for development. This move, Elba believes, could be “the first building block of a global entertainment hub.” His ambition doesn’t stop at construction; he’s tackling the financial backbone of the creative industry, too. By partnering with Stellar, a blockchain-based platform, Elba is introducing the Akuna Wallet, designed to streamline payments for local creatives, especially in economies with limited banking infrastructures. “It’s all been a puzzle,” Elba admits, referring to the logistical challenges, but he remains optimistic: “It will grow, and it can grow.”

Elba’s deep roots in Africa, with his mother hailing from Ghana and his father from Sierra Leone, lend authenticity and passion to his endeavor. “If you watch any film or anything that has got to do with Africa, all you’re going to see is trauma, how we were slaves, how we were colonized, how it’s just war, and when you come to Africa, you will realize that it’s not true,” he passionately explained. This sentiment is not just about correcting a narrative but about enriching global cinema with stories of resilience, culture, beauty, and innovation.

Idris Elba and wife Sabrina Dhowre in Rwanda

His involvement extends beyond infrastructure. Elba is set to star and executive produce a television adaptation of Chinua Achebe’s classic “Things Fall Apart,” signaling his intent to not only support but actively participate in the storytelling from the continent. This project alone underscores his belief in the power of African literature and its potential for adaptation into visual media, which could inspire a renaissance of African storytelling.

However, this grand vision comes with its challenges. The African film industry, while burgeoning, faces hurdles like inadequate infrastructure, limited access to finance, and a need for more local cinema spaces. Yet, Elba sees these not as barriers but as “opportunities in the waiting.” His strategy involves not just building but also fostering education, partnerships, and economic models that support sustainable growth in the creative sector.

As Idris Elba strides into this new chapter, his actions speak louder than his words. His commitment to Africa’s cinematic future isn’t just about adding another successful venture to his résumé; it’s about igniting a cultural revolution that could see African stories told by Africans, influencing global audiences in ways we can only begin to imagine. Here’s to hoping that Elba’s vision will indeed turn into reality, proving once again that the universe isn’t just full of stars but also of dreamers who dare to make those stars align.

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