Malcolm & Marie speaks to the ‘authenticity’ of a young millennial couple in the entertainment industry, projecting their insecurities onto each other. The film follows the couple home after the big premiere of Malcolm’s (John David Washington) motion film. Although the film was heavily influenced by his girlfriend, Marie (Zendaya), Malcolm is reluctant to admit to her contribution, and so the war begins.
Marie’s mood is tense from the very beginning, setting the stage for an all-out verbal brawl. In the twilight hours of the night, they unpack layers of the truths between the two of them. Ultimately, it reflects the narcissism that lives in both of their narratives; a completely relatable tale for two artists in relations (who secretly are in competition). Additionally, the film gives an inside look at the entertainment industry from the artist’s perspective.
The project was shot in black and white with a grainy effect. If one didn’t pay attention to the modern style of the house, it could pass as a movie that was set in the 1970s. There were epic shots of the backyard, lights cascading through the trees, and shots taken through the window panels of the master bedroom. It gave the story tremendous depth and continued the silent dramatic aesthetic. It kept the air heavy around the couple, when they backed away into their corners, reloading verbal ammo for each other.
Marie, unable to see the bigger picture of what the night meant for Malcolm, pouts, and passive-aggressively makes her boyfriend macaroni and cheese. Malcolm, unable to read between the fine lines of his woman’s subtle frustrations, is still looking to celebrate until a fake smile slaps him into the reality that something is wrong.
There have been critics of Washington’s character being self-centered. However, it was his night, the night of his big premiere as an acknowledged director, and yet Marie made it about her. Throughout the romantic spat, Malcolm was trying to get past the issue, apologizing, and then genuinely apologizing, but after one resolved issue, Marie went on another rant, tearing him down as an artist. There is concern about credibility, Marie wanted acknowledgment for the lifetime contribution to his debuted film, she forced it out of him. The audience is left thinking… if the acknowledgment is forced, does it make it real?
The monologues shared between the two, were phenomenally written. Washington exerted so much raw energy–building the depth of his character. Malcolm was spewing endless amounts of knowledge about the film industry and what it means to be on the end of the critique, as the creator.
It’s interesting that Marie begins to look at her life and her role in the relationship, simultaneously as her partner begins to shine. There are jabs of jealously and envy as she spews out words of mediocracy and “character theft” when describing his film. Those are literal fighting words, and Malcolm came back with excruciating blows, boiling over to painting a world of hurt.
Everything is interrupted when the review comes back from the infamous L.A. Times critic, and Malcolm loses it, in the most beautiful way. He reveals his love for film as an artist, throwing names of legends in the film industry, stressing the lack of understanding from critics; they don’t share the same romanticism or devotion to films. This brings up a valid point; the perspective of critics is obviously skewed. They are based on their own perspective and knowledge of the subject, yet the words of these noted critiques hold threads of influence over the success of the production.
The featured film was first produced, written, financed, and shot during the fluctuating stages of COVID-19. It was filmed with discretion in June and July of 2020. Malcolm & Marie had a limited release day earlier in January before it was available on Netflix the following month. Producers of the film included Kid Cudi, Sam and Ashley Levison, Zendaya, and John David Washington. The cast and crew definitely redefined the world of drama from a new lens of the creators.
Prime Video has released the trailer for “Unstoppable” starring Emmy award winner Jharrel Jerome (“When They See Us”) and Jennifer Lopez. The film, which is based on the inspiring true story about wrestling champion Anthony Robles is set hit select theaters Dec. 6 and will launch on the streamer on January 16, 2025.
“Unstoppable” official poster
“Unstoppable” tells the inspiring true story of Robles, a wrestler born with one leg who defies all odds to become a NCAA Division 1 champion. Jerome takes on the role of Robles, while Lopez plays the part of his mother, Judy Robles.
The film explores the challenges Robles faced growing up, including being born with one leg and facing rejection from his dream school, Iowa. However, with the support of his mother and his own determination, Robles rises to become a champion wrestler, ultimately winning a national championship against the school that rejected him.
The drama features an all-star ensemble cast including Jerome, Lopez, Bobby Cannavale, Michael Peña, and Don Cheadle.
Robles himself can be spotted in the film and is credited as ‘Anthony Robles Double’, performing the complex wrestling moves and stunts. He is also a producer on the film.
On October 27, the “Unstoppable” cast as well as Anthony and Judy Robles attended the special screening of the film at AFI Fest special. You can see the pics below.
According to the press release, Jharrel Jerome trained for months and worked very closely with Anthony to establish the physicality and determination required for the role.
“Unstoppable” is produced by Artists Equity, Ben Affleck and Matt Damon’s production company.
Idris Elba made a major announcement that could very well shift the Global narrative lens to Africa. The British star is planning an intercontinental move!
Known for his commanding presence on screens worldwide, from the gritty streets of Baltimore in “The Wire” to the crime-ridden alleys of London in “Luther,” Elba is now turning his sights to a much grander stage – the entire African continent.
“Much of the imagery about Africa isn’t even generated from Africa,” Elba stated at the Stellar Development Foundation’s Meridian conference earlier this month. This simple yet profound observation underscores his mission to transform the film industry in Africa, aiming to give the continent’s young, dynamic population a platform to tell their own stories.
Elba’s initiative is not just about building studios; it’s about building an ecosystem where African narratives can thrive globally. He’s not just talking the talk; he’s walking the walk, literally, by planning to relocate to Africa within the next decade. “I would certainly consider settling down here; not even consider—it’s going to happen,” he affirmed to the BBC, showcasing his commitment to being on the ground, fostering this new era of African cinema.
The actor’s vision includes the establishment of film studios in Zanzibar, where the government has pledged nearly 200 acres for development. This move, Elba believes, could be “the first building block of a global entertainment hub.” His ambition doesn’t stop at construction; he’s tackling the financial backbone of the creative industry, too. By partnering with Stellar, a blockchain-based platform, Elba is introducing the Akuna Wallet, designed to streamline payments for local creatives, especially in economies with limited banking infrastructures. “It’s all been a puzzle,” Elba admits, referring to the logistical challenges, but he remains optimistic: “It will grow, and it can grow.”
Elba’s deep roots in Africa, with his mother hailing from Ghana and his father from Sierra Leone, lend authenticity and passion to his endeavor. “If you watch any film or anything that has got to do with Africa, all you’re going to see is trauma, how we were slaves, how we were colonized, how it’s just war, and when you come to Africa, you will realize that it’s not true,” he passionately explained. This sentiment is not just about correcting a narrative but about enriching global cinema with stories of resilience, culture, beauty, and innovation.
His involvement extends beyond infrastructure. Elba is set to star and executive produce a television adaptation of Chinua Achebe’s classic “Things Fall Apart,” signaling his intent to not only support but actively participate in the storytelling from the continent. This project alone underscores his belief in the power of African literature and its potential for adaptation into visual media, which could inspire a renaissance of African storytelling.
However, this grand vision comes with its challenges. The African film industry, while burgeoning, faces hurdles like inadequate infrastructure, limited access to finance, and a need for more local cinema spaces. Yet, Elba sees these not as barriers but as “opportunities in the waiting.” His strategy involves not just building but also fostering education, partnerships, and economic models that support sustainable growth in the creative sector.
As Idris Elba strides into this new chapter, his actions speak louder than his words. His commitment to Africa’s cinematic future isn’t just about adding another successful venture to his résumé; it’s about igniting a cultural revolution that could see African stories told by Africans, influencing global audiences in ways we can only begin to imagine. Here’s to hoping that Elba’s vision will indeed turn into reality, proving once again that the universe isn’t just full of stars but also of dreamers who dare to make those stars align.
“One of Them Days” is a hilarious buddy comedy set to premiere in theaters on January 24, 2025. Starring the dynamic duo Keke Palmer and SZA, the film promises a rollercoaster of laughter, mishaps, and the quintessential quest for rent money, all wrapped in the vibrant energy of Los Angeles.
Imagine waking up to discover your rent money has vanished, courtesy of a less-than-responsible boyfriend. This is where we find Dreux (Palmer) and Alyssa (SZA), best friends whose day spirals into a series of comedic attempts to salvage their living situation.
The newly released trailer follows their day-long adventure filled with desperate, laugh-out-loud strategies, from donating blood to scaling utility poles for a pair of coveted Jordans. It’s a modern take on the ‘one crazy day’ trope, infused with the spirit of classic comedies but with a contemporary twist.
Palmer, known for her versatility across acting, singing, and hosting, brings her infectious energy and comedic timing to the role of Dreux. SZA, on the other hand, is making her acting debut with this pic, bringing her unique vibe to her character, Alyssa.
The film is helmed by Lawrence Lamont and written by Syreeta Singleton, both of whom previously collaborated with Rae on “Rap Sh!t.”